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In this brave and original work, Federica Clementi focuses on the mother-daughter bond as depicted in six works by women who experienced the Holocaust, sometimes with their mothers, sometimes not. The daughtersÕ memoirs, which record the Òall-too-humanÓ qualities of those who were persecuted and murdered by the Nazis, show that the Holocaust cannot be used to neatly segregate lives into the categories of before and after. ClementiÕs discussions of differences in social status, along with the persistence of antisemitism and patriarchal structures, support this point strongly, demonstrating the tenacity of traumaÑindividual, familial, and collectiveÑamong Jews in twentieth-century Europe.
In this brave and original work, Federica Clementi focuses on the mother-daughter bond as depicted in six works by women who experienced the Holocaust, sometimes with their mothers, sometimes not. The daughtersÕ memoirs, which record the Òall-too-humanÓ qualities of those who were persecuted and murdered by the Nazis, show that the Holocaust cannot be used to neatly segregate lives into the categories of before and after. ClementiÕs discussions of differences in social status, along with the persistence of antisemitism and patriarchal structures, support this point strongly, demonstrating the tenacity of traumaÑindividual, familial, and collectiveÑamong Jews in twentieth-century Europe.
Jehuda Reinharz, born in Haifa in 1944, spent his childhood in Israel and his adolescence in Germany, and moved with his family to the United States when he was seventeen. These three diverse geographies and the experiences they engendered shaped his formative years and the future of a prolific scholar who devoted his life to the study of the central role of leadership as Jews faced the challenges of emancipation and integration in Germany, the rise of modern antisemitism, the formation of Zionist youth culture and politics, and the transformation of Jewish politics in Palestine and the State of Israel. In this volume, eminent scholars in their respective fields extend the lines of Reinharz'...
This book offers a fresh perspective on classical Jewish literature by providing a gender-based, feminist reading of rabbinical anecdotes and legends. Viewing rabbinical legends as sources that generate perceptions about women and gender, Inbar Raveh provides answers to questions such as how the Sages viewed women; how they formed and molded their characterization of them; how they constructed the ancient discourse on femininity; and what the status of women was in their society. Raveh also re-creates the voices and stories of the women themselves within their sociohistorical context, moving them from the periphery to the center and exposing how men maintain power. Chapter topics include desire and control, pain, midwives, prostitutes, and myth. A major contribution to the fields of literary criticism and Jewish studies, Raveh's book demonstrates the possibility of appreciating the aesthetic beauty and complexity of patriarchal texts, while at the same time recognizing their limitations.
Explores the central role of Jewish patrons as shapers of Viennese modernism
The story of Zionist women's struggle for suffrage within the complex political and religious context of the Yishuv
In this book Rose illuminates the extraordinary creativity of Jewish intellectuals as they reevaluated Judaism with the tools of a German philosophical tradition fast emerging as central to modern intellectual life. While previous work emphasizes the "subversive" dimensions of German-Jewish thought or the "inner antisemitism" of the German philosophical tradition, Rose shows convincingly the tremendous resources German philosophy offered contemporary Jews for thinking about the place of Jews in the wider polity. Offering a fundamental reevaluation of seminal figures and key texts, Rose emphasizes the productive encounter between Jewish intellectuals and German philosophy. He brings to light both the complexity and the ambivalence of reflecting on Jewish identity and politics from within a German tradition that invested tremendous faith in the political efficacy of philosophical thought itself.
Niccolò di Bernardo Machiavelli is not only one of the most fascinating figures of the Italian Renaissance, an outstanding author and statesman, but indisputably one of its most influential political theorists, whose fundamental contributions to ideas of political power - as well as to the history of modern drama - remain astonishingly pertinent. His adventurous life led him to notable heights as a diplomat and reformer of the Florentine military, with his replacement of mercenaries by a citizen-militia. His fall, exile and eventual rehabilitation followed as briskly as his rise. Unlike many innovative thinkers about politics, he developed his radical theories of treachery and social transformation, here explored in terms of their originality, in an atmosphere of violence. Based on his experience of government, his insights led to a shift from understanding statehood, war and society as forms of finitude and stasis to those of process. All this unfolds in Paul Oppenheimer's compelling recreation of Machiavelli's life as he actually lived it.
Revisioning French Culture brings together a striking group of leading intellectuals and scholars to explore new avenues of research in French and Francophone Studies. Covering the medieval period through the twenty-first century, this volume presents investigations into a vast array of subjects. Revisioning French Culture grapples with topics vital to the contemporary cultural landscape, including universalism, globalization, the idea of Francophonie, and religious and secular identity. This essay collection furthermore transcends and illuminates the contemporary by delving into matters that have long resonated in the humanities and letters, such as death, war, trauma, power and politics, n...
In the 1960s, Jewish music in America began to evolve. Traditional liturgical tunes developed into a blend of secular and sacred sound that became known in the 1980s as "American Nusach." Chief among these developments was the growth of feminist Jewish songwriting. In this lively study, Sarah M. Ross brings together scholarship on Jewish liturgy, U.S. history, and musical ethnology to describe the multiple roots and development of feminist Jewish music in the last quarter of the twentieth century. Focusing on the work of prolific songwriters such as Debbie Friedman, Rabbi Geela Rayzel Raphael, Rabbi Hanna Tiferet Siegel, and Linda Hirschhorn, this volume illuminates the biographies and oeuvr...