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Official Gazette
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Mexican National Cinema
Mexican National Cinema provides a thorough and detailed account of the vital and complex relationship between cinema and national identity in Mexico. From Amores Peros and Y Tu Mama Tambien , this books delves into the development of Mexican cinema from the intense cultural nationalism of the Mexican Revolution, through the 'Golden Age' of the 1930s and 1940s and the 'nuevo cine' of the 1960s, to the renaissance in Mexican cinema in the 1990s. Individual chapters discuss: the relationship with Hollywood cinema the stars of the Golden Age the role of foreign authors in the founding of Mexican cinema tensions in the industry in the 1960s national and international reception of contemporary film and film-makers. Examining the portrayal of Mexican nationhood through critical analysis of film genres including revolutionary films, machismo and â¬~mexicanidad', the prostitute, and the work of female authors, Mexican National Cinema is an excellent addition to all media, film, and cultural studies students.
Framing Latin American Cinema
Proposes new critical directions in Latin American film. Framing Latin American Cinema embraces multiple modes of scholarship, juxtaposing feature films and documentaries, and locating cinema within larger cultural debates. Considering works from Argentina, Brazil, Cuba, Colombia, Guatemala, Mexico, and Venezuela, the contributors address a range of topics including studies of directors like Roman Chalbaud and Fernando Perez, examinations of viewer patterns and critical tendencies, and analyses of Mexican melodrama, revolutionary films, and such internationally acclaimed works as Dona Herlinda and A Place in the World.
From Franco to Freedom
This book brings together recent research by a group of specialists in history and sociology to provide a new reading of the late Franco dictatorship, especially in relation to its political culture. The authors focus on the election of local, trade union and national representatives, the work of the first Spanish sociologists, the struggle over administrative reform, the role of the media and the intellectuals, as well as the evolution of the dictatorships political class and its response to the regimes decline. Not only are the politics of the late dictatorship scrutinised, but also the mechanisms that were deployed to control the fast-changing society of the 1960s and 1970s. In examining ...
The Last Survivor
This book proposes an interpretation of Francoism as the Spanish variant of fascism. Unlike Italian fascism and Nazism, the Franco regime survived the Second World War and continued its existence until the death of dictator Francisco Franco. Francoism was, therefore, the Last Survivor of the fascisms of the interwar period. And indeed this designation applies equally to Franco. The work begins with an analysis of the historical identity of Spanish fascism, constituted in the process of fascistization of the Spanish right during the crisis of the Second Republic, and consolidated in the formation of the fascist single-party and the New State during the civil war. Subsequent chapter contributi...
The albatros and the pirates of galguduud
Imagine if Western countries lost control of sea lines of communication. What would a businessman be willing to do to protect his interests? The pirate camps that pepper the coast of Somalia threaten to hijack any ship that comes near their waters and the developed countries don’t seem to be able to take a stand against the problem. The world’s energy industry is on the brink of collapse. Can a businessman battle with the pirates? Could the failed Somali State control its own coast? A young seaman from Cadiz running away from his own personal nightmares is chosen to do away with the magnate’s enemies, but he is not far enough away from his own past. As the events develop there is a much more complex plot behind the attacks. Without realizing it, Pablo finds himself being dragged into the midst of an international conspiracy in which he will have to rely solely on his crew and his ship, Albatros. Translator: Susana Hyder PUBLISHER: TEKTIME
Latin American Cinema
Conventional silent cinema -- Avant-garde silent cinema -- Transition to sound -- Birth and growth of an industry -- Crisis and decline of studio cinema -- Neorealism and art cinema -- New Latin American cinema's militant phase -- New Latin American cinema's Neobaroque phase -- Collapse and rebirth of an industry -- Latin American cinema in the twenty-first century -- Conclusion : a triangulated cinema -- Appendix : discourses of modernity in Latin America
Looking for Mexico
In Looking for Mexico, a leading historian of visual culture, John Mraz, provides a panoramic view of Mexico’s modern visual culture from the U.S. invasion of 1847 to the present. Along the way, he illuminates the powerful role of photographs, films, illustrated magazines, and image-filled history books in the construction of national identity, showing how Mexicans have both made themselves and been made with the webs of significance spun by modern media. Central to Mraz’s book is photography, which was distributed widely throughout Mexico in the form of cartes-de-visite, postcards, and illustrated magazines. Mraz analyzes the work of a broad range of photographers, including Guillermo K...
