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Duan Yunfei never expected that a dignified female hero like him would marry a jealous man. Even if he were to meet the Western Lion Protector out of respect, it would still cause him to go into a rage of jealousy."Mu Xianyang, this princess has said that I have business with him. If you dare to be jealous again, this princess will throw you into a bathtub of vinegar."Mu Xianyang almost died of anger when he heard this, "Thirteenth Princess, you were born to this king, and death belongs to this king. Even if you end up taking a bath in a jar of vinegar, you have to accompany me."One day, in order to prove that he loved Duan Yunfei, Mu Xianyang had someone prepare a jar of vinegar and was about to pull Duan Yunfei to take a bath. The corner of Duan Yunfei's lips slightly raised as he thought to himself, 'Mu Xianyang, you really are a cute kid.
Duan Yunfei never expected that a dignified female hero like him would marry a jealous man. Even if he were to meet the Western Lion Protector out of respect, it would still cause him to go into a rage of jealousy."Mu Xianyang, this princess has said that I have business with him. If you dare to be jealous again, this princess will throw you into a bathtub of vinegar."Mu Xianyang almost died of anger when he heard this, "Thirteenth Princess, you were born to this king, and death belongs to this king. Even if you end up taking a bath in a jar of vinegar, you have to accompany me."One day, in order to prove that he loved Duan Yunfei, Mu Xianyang had someone prepare a jar of vinegar and was about to pull Duan Yunfei to take a bath. The corner of Duan Yunfei's lips slightly raised as he thought to himself, 'Mu Xianyang, you really are a cute kid.
Muriel Norde shows that linguistic change via the well-attested process of grammaticalization is reversible and that degrammaticalization can occur on all levels: semantic, morphological, syntactic, and phonological. Her careful analysis of the process makes a significant contribution to methods of linguistic reconstruction and language change.
This book introduces a new linguistic reconstruction of the phonology, morphology, and lexicon of Old Chinese, the language of the earliest Chinese classical texts (1st millennium BCE).
Colour studies attracts an increasingly wide range of scholars from across the academic world. Contributions to the present volume offer a broad perspective on the field, ranging from studies of individual languages through papers on art, architecture and heraldry to psychological examinations of aspects of colour categorization, perception and preference. The chapters have been developed from papers and posters presented at a conference on Progress in Colour Studies (PICS08) held at the University of Glasgow. The volume both updates research reported at the earlier PICS04 conference (published by Benjamins in 2006 as Progress in Colour Studies volumes 1 and 2), and introduces new and exciting topics and developments in colour research. In order to make the articles maximally accessible to a multidisciplinary readership, each of the six sections following the initial theoretical papers begins with a short preface describing and drawing together the themes of the chapters within that section. There are seventeen colour illustrations.
This is the first genuine etymological dictionary of Old Chinese written in any language. As such, it constitutes a milestone in research on the evolution of the Sinitic language group. Whereas previous studies have emphasized the structure of the Chinese characters, this pathbreaking dictionary places primary emphasis on the sounds and meanings of Sinitic roots. Based on more than three decades of intensive investigation in primary and secondary sources, this completely new dictionary places Old Chinese squarely within the Sino-Tibetan language family (including close consideration of numerous Tiberto-Burman languages), while paying due regard to other language families such as Austroasiati...
The Encyclopedia of Chinese Language and Linguistics is the new reference work on all aspects of the languages of China and China s linguistic traditions, written and edited by the foremost scholars in the field."
This volume presents some of the latest research in colour studies by specialists across a wide range of academic disciplines. Many are represented here, including anthropology, archaeology, the fine arts, linguistics, onomastics, philosophy, psychology and vision science. The chapters have been developed from papers and posters presented at the Progress in Colour Studies (PICS12) conference held at the University of Glasgow. Papers from the earlier PICS04 and PICS08 conferences were published by John Benjamins as Progress in Colour Studies, 2 volumes, 2006 and New Directions in Colour Studies, 2011, respectively. The opening chapter of this new volume stems from the conference keynote talk on prehistoric colour semantics by Carole P. Biggam. The remaining chapters are grouped into three sections: colour and linguistics; colour categorization, naming and preference; and colour and the world. Each section is preceded by a short preface drawing together the themes of the chapters within it. There are thirty-one colour illustrations.
Recent years saw a growing interest in the study of subjectivity, as the linguistic expression of speaker involvement. Intersubjectivity, defined by Traugott as "the linguistic expression of a speaker/writer's attention to the hearer/reader", on the other hand, has so far received little explicit attention in its own right, let alone systematic definition and operationalization. Intersubjectivity and seemingly related notions such as interpersonal meaning, appraisal, stance and metadiscourse, frequently appear in cognitive-functional accounts, as well as historical and more applied approaches. These domains offer (partly) conflicting uses of 'intersubjectivity', differ in the overall scope o...