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In What if there were no whites in South Africa? Ferial Haffajee examines South Africa’s history and present in the light of a provocative question that yields some thought-provoking discussion and analysis. From round-table discussions with influential South Africans, to research, personal thoughts and powerful anecdotes, Ferial takes the reader through the rocky terrain of race rage in our country and grapples with what it means to be South African in 2015.
This exquisite book by award-winning photographer Karina Turok presents a series of portraits of inspirational and iconic South African women
As a longstanding cabinet minister, chairperson of the African Union Commission and ANC presidential hopeful, Nkosazana Dlamini Zuma has always been in the public eye, but to many people this media-averse politician remains an enigma. Praised by some and criticised by others, and variously described as ‘undiplomatic’ and ‘one of the continent’s best political operators’, it is difficult for the public to form an opinion of her. In this book, journalist Carien du Plessis investigates Dlamini Zuma’s life and career, tracking her early years, education and involvement in the struggle; her role as a cabinet minister under all four presidents of democratic South Africa; and her achievements as AU Commission chairperson. The book considers her feminism and political philosophy; tracks her presi¬dential ambitions and campaigning; and explores how her personal relationship with one of her most important backers, President Jacob Zuma, has influenced her. Whatever role she takes up next within the ANC, Dlamini Zuma has a part to play in South Africa’s political future. Woman in the Wings is a fascinating insight into what type of leader she may one day become.
‘Did Mandela work for nothing?’ ‘Mr Sushi comes to town’ ‘Give me a corrupt black any day’ These are just some of Eric Miyeni’s newspaper columns and opinion pieces, which have earned him friends and enemies alike. Known for his straight-talking frankness, his views on subjects ranging from politics and travel to big business and sport elicit strong responses. Here Comes the Snake in the Grass is a selection of Eric Miyeni’s columns and occasional writings covering a variety of topics, from Julius Malema, Oprah Winfrey and Brenda Fassie to the value of radio, the true cost of crime, the need for excellence in South Africa and the difficulty of finding love in the modern world. Some of the writings in this collection court controversy, addressing issues many want hidden from view; others provide glimpses of the writer’s softer side. All show why Eric Miyeni’s is an unmistakeable voice in the South African media. Alternately hard-hitting and personal, rousing and funny, Here Comes the Snake in the Grass is an entertaining and informative look at the South African cultural landscape.
This book is the culmination of several years of collaborative work. It is a unique contribution to the field of journalism because of the depth and variety of contributions it makes to the field. The scholars who contribute to this volume respond to the great need to rethink journalism from various perspectives including journalism training, research, the contents of the news media, language, media ethics, the safety of journalists and gender inequities in the news media. In doing this, they recognise how the societies that journalism address should themselves change.
What role should the media play in conflicts that arise during transitions to democracy? What makes the role of the media in Africa different from those in other parts of the world? What ethical responsibilities and obligations do the media have towards societies mired in conflict and characterized by social and economic inequality, ethnic and racial polarization and histories of oppression and violence? The Ethics of Engagement sets out to answer these questions by considering various examples of conflicts in African democracies and proposes an "ethics of listening" as a normative framework for the media.
This timely book analyses the crisis and chaos of journalism in contemporary South Africa and argues for and about the power of public interest journalism The transition to digital news has been messy, random and unpredictable. The spread of news via social media platforms has given rise to political propaganda, fake news and a flattening of news to banality and gossip. Media companies, however, continue to shrink newsrooms, ousting experienced journalists in favour of 'content producers'. Daniels writes of the contribution of investigative journalists to exposing corruption and sees new opportunities emerging, which may well be a model for the future of non-profit, public-funded journalism....
As South Africa’s democracy matures, this book raises pertinent questions: How does the state mediate between traditional tribal authority and constitutional law in matters such as initiation customs or the rights of women, children, and homosexuals? What are the limitations on artistic freedom in a society where sensitivities over colonial- and apartheid-era representations are acute? How does race open up discussions or close down dialogue? and What are the parameters of freedom of speech when minorities fear that hateful language may trigger actual violence against them? Examining disputes over South African art, music, media, editorial cartoons, history, public memory, and a variety of social practices, the culture wars' perspective is extended to new territory in this study, demonstrating its cross-cultural applicability and parsing critical debates within this vibrant society in formation.
Theater is an essential theoretical and practical site for forging Black radical thought, Africana feminisms, and womanism. Nicosia M. Shakes draws on ethnographic research in Jamaica and South Africa to analyze the vital relationship between activism and theater production. Concentrating on four performance events, Shakes situates the work of theater groups and projects within a trajectory of women-led social justice movements established in Jamaica, South Africa, and globally from the early 2000s to the present. Her analysis reveals movements driven by Black women’s artistic, intellectual, and organizational labor and focused on issues that range from sexual violence to reproductive justice to the spatial manifestations of racial, gender, and economic oppression. Shakes shows how theater’s political and pedagogical roles become entangled with histories and geographies of oppression and resistance; the identities and connections created by movements of people in the context of colonial and settler colonial histories; and ideas of womanism and feminism.
What has media freedom entailed over the couple of centuries and successive governments of the geopolitical region that became South Africa since it was colonised by Westerners? And why can media freedom be described as both pillar and cornerstone of a democracy? It’s simple, as in the words of Nelson Mandela, first state president of a democratic South Africa: Press freedom is the “lifeblood of democracy”. This book tells the tale of the various states of press freedom, or unfreedom, from colonial times to today – from a British governor called a dictator and a despot, through apartheid’s “pigmentocracy”, or “sjambokracy”, where the rule of law “has been replaced by the ...