You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
La educación a distancia es una alternativa complementaria en la educación superior que enfrenta un sinnúmero de retos tecnológicos y metodológicos en el proceso enseñanza-aprendizaje y que, contempla la necesidad de generar escenarios de formación acordes al contexto particular de la población en procura de su bienestar. Este libro aborda la temática a lo largo de seis capítulos que centran su atención en la metodología de enseñanza virtual a partir de la caracterización del adulto como actor principal en la educación superior. El primer capítulo expone la andragogía como un modelo para la formación de adultos. En el segundo, la educación a distancia en la educación superior, seguido de una breve reseña histórica sobre la educación virtual: una aproximación a su contexto actual. En cuarto lugar, se aborda una perspectiva renovada del enfoque de bienestar desde lo humano, para posteriormente contextualizar la evolución y estado actual del bienestar universitario en el contexto de la educación superior en Colombia. (EAN)
El bienestar universitario en la educación superior constituye un eje estratégico para el establecimiento y diseño pertinente de programas, servicios y actividades en instituciones de educación superior (IES). Este libro presenta los resultados de la investigación realizada en el año 2017, donde se presenta un panorama general de los imaginarios presentes en los estudiantes colombianos, en la modalidad de educación a distancia, acerca de los servicios y medios de acceso al bienestar universitario. Se presentan los datos de investigación a través de once ejes temáticos que van de la caracterización de los estudiantes y las metodologías de enseñanza virtual, a la conceptualización del bienestar universitario tomando como base el análisis detallado de la información recopilada para la proyección de programas, servicios y actividades de bienestar en IES.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
[In this book, the author's] analysis of the effects and causes of capitalist underdevelopment in Latin America present [an] account of ... Latin American history. [The author] shows how foreign companies reaped huge profits through their operations in Latin America. He explains the politics of the Latin American bourgeoisies and their subservience to foreign powers, and how they interacted to create increasingly unequal capitalist societies in Latin America.-Back cover.
Written in three parts, War Trilogy is a dazzling and anarchic exploration of social relations which offers thought-provoking ideas on our perceptions of humanity, history, violence, art and science. The first part follows a writer who travels to the small, uninhabited island of San Simon, where he witnesses events which impel him on a journey across several continents, chasing the phantoms of nameless people devastated by violence. The second book is narrated by Kurt, the fourth astronaut who secretly accompanied Armstrong, Aldrin and Collins on their mythical first voyage to the moon. Now living in Miami, an ageing Kurt revisits the important chapters of his life: from serving in the Vietnam War to his memory of seeing earth from space. In the third part, a woman embarks on a walking tour of the Normandy coast with the goal of re-enacting, step by step, the memory of another trip taken years before. On her journey along the rugged coastline, she comes across a number of locals, but also thousands of refugees newly arrived on Europe's shores, whose stories she follows on the TV in her lodgings.
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.
None
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.