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Depois de anos de silêncio, o escritor Fernando Pinto do Amaral volta a publicar poesia. Em Manual de Cardiologia, o autor desce aos abismos do coração humano, em poemas de grande carga emocional, que nos oferecem uma intensa visão da experiência amorosa.
«Ruben A. Fernando Pinto do Amaral Ruben A. – nome literário de Ruben Andresen Leitão (1920–1975) – é hoje cada vez mais reconhecido como um dos autores essenciais do século xx português. Por um lado, a sua obra nasce da tensão entre um espírito radicalmente inovador, exprimindo uma vertigem experimental que foi capaz de rasgar novos caminhos na linguagem, e, por outro lado, evidenciou um olhar sempre muito lúcido sobre o passado, no intuito de o tornar presente, vivo, real, e de assim o resgatar do esquecimento.»
Despite the numerous studies of the politics, economy, culture, and society of the Estado Novo, the relations established between publishers, authors, and governmental institutions and their contribution to the making of the literary canon are still marginal subjects of analysis. Based on the systems theories developed by Bourdieu, Dubois and Even-Zohar, this study focuses on the cultural production produced during the Estado Novo (1933-1974) and after the Revolution (1974-2004), within their political, economic and social framework. The chapters on José Saramago and José Luís Peixoto show them as examples of literary consecration that confirm the systemic relations in the Portuguese literary field. This research makes use of a survey on habits of purchase of Portuguese fiction, interviews with publishers, original statistical analyses, and takes a new approach to the study of Portuguese literature.
Following the convening of IPNHK 2015, Poetry and Conflict presents works by worldacclaimed poets from wartroubled countries in the past such as the United States (Anne Waldman, Peter Cole), Japan (Yoko Tawada, Noriko Mizuta), South Korea (Kim Hyesoon), Macedonia (Nikola Madzirov), Catalonia (Gemma Gorga), Portugal (Fernando Pinto do Amaral), Burma (ko ko thett), Morroco (Mohammed Bennis), China (Wang Xiaoni), Taiwan (Chen Li), Hong Kong (Lau Yeeching), and those of today such as Israel (Agi Mishol) and Palestine (Ghassan Zaqtan, Najwan Darwish). The collection makes a treasured contemporary poetry anthology in trilingual or bilingual presentation.
Forges a new understanding of how these two Lusophone nations are connected. The closely entwined histories of Portugal and Brazil remain key references for understanding developments--past and present--in either country. Accordingly, Fernando Arenas considers Portugal and Brazil in relation to one another in this exploration of changing definitions of nationhood, subjectivity, and utopias in both cultures. Examining the two nations' shared language and histories as well as their cultural, social, and political points of divergence, Arenas pursues these definitive changes through the realms of literature, intellectual thought, popular culture, and political discourse. Both Brazil and Portuga...
This book includes 21 chapters dedicated to the study of contemporary, Portuguese and Brazilian poets influenced by the Greco-Roman tradition. It integrates the international bibliography on reception studies in an Ibero-American context. However, the comparison between poets from the two countries highlights the cultural community that, despite the differences, unites them. Travels, routes, and adventures, taken in a linear or symbolic sense, are the common trace of all contributions. The variety of tastes, the greater or smaller closeness to the ancient models, and the authors’ preferences contribute to an overall view of the classical imprint on contemporary poetry as a specific area of literature.
This companion volume offers an introduction to European Portuguese literature for university-level readers. It consists of a chronological overview of Portuguese literature from the twelfth century to the present day, by some of the most distinguished literary scholars of recent years, leading into substantial essays centred on major authors, genres or periods, and a study of the history of translations. It does not attempt an encyclopaedic coverage of Portuguese literature, but provides essential chronological and bibliographical information on all major authors and genres, with more extensive treatment of key works and literary figures, and a particular focus on the modern period. It is u...
This book breaks new ground in considering the nature and function of anthologies of poetry and short stories in twentieth-century Portugal. It tackles the main theoretical issues, identifies a significant body of critical writing on the relationship between anthologies, literary history and the canon, and proposes an approach that might be designated Descriptive Anthology Studies. The author aims to achieve a full understanding of the role of anthologies in the literary polysystem. Moreover, this study considers anthologies published in Portugal in the early years of the twentieth-century, the influential figures who made them, the works they selected, and who read them. It also focuses on ...
First published in 1999, this volume is a collection of papers on Portuguese literature, giving a historical and more updated review. Included are twelve essays presented in chronological order, providing students with a series of assessments and developments.
This book adds to an international bibliography specialised on the reception of Homer, including studies on Portuguese, Spanish, Brazilian and Argentinian authors (from the 19th to the 21st century) articulated by a common perspective, Homeric motifs, and differentiated by literary genre, that is, theatre, poetry, novel, and short story. Well-known and lesser-known names from the literatures being analysed also contribute to the novelty of the set. The contributors are researchers from each of the countries with a specific and well-informed vision of each context. Organising the volume according to these genres encourages historical and cultural comparisons of countries with a long tradition in common. Each analysis is always framed within its cultural context. Due to its characteristics, this volume serves an audience with different expectations, related to Classical Studies, Literary Theory and Portuguese and Spanish Language Literatures, Theatrical Studies, History of Culture, and Postcolonial Studies.