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Figaro in London
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The Marriage of Figaro
First produced at the Odéon in 1784 The Marriage of Figaro,the second play of Beaumarchais' trilogy was an instant success and ran for an unprecedented 116 performances. Written six years earlier the play had been subject to the rigorous demands of no fewer than six censors, appointed one after the other by Louis XVI, with the principal purpose of preventing such a seditious piece of work from ever reaching the stage. Perhaps the king was right for Beaumarchais’ revolutionary attitudes towards women and the aristocracy espoused the popular feeling that would turn social order on its head and cause the king to lose his own in the subsequent decade. Figaro, full of an irrepressible joie de vivre remains one of drama’s arch-plotters, determinedly outwitting the cast of villains’ mountebanks and rivals who seek to ensnare him and bring about his downfall. His survival is not simply a testimony to his own endurance and inner strength but a signal to the world that the common man has rights and that the modern world must reform itself or be reformed if he is to be allowed to enjoy them.
Figaro in London
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The Figaro Plays
Originally published: London: J.M. Dent, 1997.
The Figaro Trilogy
The Barber of Seville, The Marriage of Figaro and The Guilty Mother were the first plays to use a set of recurring characters who develop over time. They chronicle the slide of the ancien regime into revolution and Figaro was seen as a threat to the establishment. The impertinent, bustling servant was appropriated by Mozart and Rossini for their own purposes, and Beaumarchais became eighteenth-century France's only truly international theatre star.
Who Married Figaro?
"From Aeneas to Zaida, Who Married Figaro? contains more than 2,500 entries on operatic characters from around the world. Giving details of the composer of each role as well as notable performances, this unique reference book also provides comprehensive synopses for over 200 operas and operettas. It features articles by well-known personalities from the world of opera, including Placido Domingo, Dame Janet Baker, and, new to this edition, Christine Brewer, Susan Bullock, Simon Keenlyside, and Joyce DiDonato. This fully revised edition now contains an appendix of contemporary opera of the last ten years, offering detailed synopses and world premiere cast lists. Up to date, authoritative, and packed with valuable information, this A-Z is an essential book for opera lovers."--BOOK JACKET.
The Barber of Seville and the Marriage of Figaro
The sparkling plays about the scoundrelly valet Figaro, used as the basis of operas by Mozart and Roissini A highly engaging comedy of intrigue, The Barber of Seville portrays the resourceful Figaro foiling a jealous old man's attempts to keep his beautiful ward from her lover. And The Marriage of Figaro—condemned by Louis XVI for its daring satire of nobility and privilege—depicts a master and servant set in opposition by their desire for the same woman. With characteristic lightness of touch, Beaumarchais—a French courtier, secret agent, libertine, and adventurer—created an audacious farce of disguise and mistaken identity that balances wit, frivolity and seriousness in equal measure. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The Marriage of Figaro by Beaumarchais (Book Analysis)
Unlock the more straightforward side of The Marriage of Figaro with this concise and insightful summary and analysis! This engaging summary presents an analysis of The Marriage of Figaro by Beaumarchais, the sequel to his equally celebrated play The Barber of Seville. After helping his master Count Almaviva to secure Rosine’s hand in marriage, it is now Figaro’s turn to get married, but his happiness is threatened by Almaviva’s tireless attempts to seduce his fiancée Suzanne, as well as the surprise return of a debt from his past. The play’s overtly political reflection on the unearned privileges of the nobility and the difficulties faced by ordinary people attracted the ire of the ...
