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In this updated edition of his brief, engaging book, Robert J. Fogelin examines figures of speech that concern meaning--irony, hyperbole, understatement, similes, metaphors, and others--to show how they work and to explain their attraction. Building on the ideas of Grice and Tversky, Fogelin contends that figurative language derives its power from its insistence that the reader participate in the text, looking beyond the literal meaning of the figurative language to the meanings that are implied. With examples ranging from Shakespeare, John Donne, and Jane Austen to e.e. cummings, Bessie Smith, and Monty Python, Fogelin demonstrates that the intellectual and aesthetic force of figurative lan...
A figure of speech is an expression in which the words are used, but not in their literal sense, to create a more forceful or dramatic meaning. They are often in the form of metaphors, similes and hyperbole. “A fountain of knowledge,” is a good example. “Stretching the truth,” is another. With Figuratively Speaking, we finally have a thesaurus to discover these phrases’ origins and the sources of their meanings. Categories include: Attitudes Body Types Competition Creature Comforts Letting Loose Ethics Influence Life, Health, & Death Money Personal Space Personality Types Speech Thinking Power Time Trouble, Turmoil, & Commotion The World of Work Whether reading it for fun, researching phrases you use, or studying the symbolic foundations of our language, Figuratively Speaking is the resource you’ll reach for time and again.
Teaches forty literary terms, such as metaphor, alliteration, foreshadowing, and satire, presenting examples from literature and activities.
In this book, the author examines figures of speech that concern meaning--irony, hyperbole, understatement, similes, metaphors, and others--to show how they work and to explain their attraction. The author contends that figurative language derives its power from the insistence that the reader participate in the text, looking beyond the literal meaning of the figurative language to the meanings that are implied. He demonstrates that the intellectual and aesthetic force of figurative language is derived from the opportunity it provides for unlimited elaboration.
Although rhetoric is a term often associated with lies, this book takes a polemical look at rhetoric as a purveyor of truth. Its purpose is to focus on one aspect of rhetoric, figurative speech, and to demonstrate how the treatment of figures of speech provides a common denominator among western cultures from Cicero to the present. The central idea is that, in the western tradition, figurative speech - using language to do more than name - provides the fundamental way for language to articulate concerns central to each cultural moment. In this study, Sarah Spence identifies the embedded tropes for four periods in Western culture: Roman antiquity, the High Middle Ages, the Age of Montaigne, and our present, post-9/11 moment. In so doing, she reasserts the fundamental importance of rhetoric, the art of speaking well.
Although rhetoric is a term often associated with lies, this book takes a polemical look at rhetoric as a purveyor of truth. Its purpose is to focus on one aspect of rhetoric, figurative speech, and to demonstrate how the treatment of figures of speech provides a common denominator among western cultures from Cicero to the present. The central idea is that, in the western tradition, figurative speech - using language to do more than name - provides the fundamental way for language to articulate concerns central to each cultural moment. In this study, Sarah Spence identifies the embedded tropes for four periods in Western culture: Roman antiquity, the High Middle Ages, the Age of Montaigne, and our present, post-9/11 moment. In so doing, she reasserts the fundamental importance of rhetoric, the art of speaking well.
Duck the clickbaits and hit the bull's eye. Sidestep traps to unearth a goldmine. 'Buy one get one free' is an irresistible offer, and the buyers of this book surely hit two birds with a single stone. Well, they certainly do so, figuratively speaking. "Figuratively speaking…" is the author's musings on a host of topics related to the pandemic and lockdown. During the recent lockdown, the author has humorously recorded his thoughts in this compilation of essays which are deliberately loaded with many idioms, phrases and other elements of figurative language. While a casual reader can have loads of fun reading these mostly lighthearted narratives, keys to the world of figurative language com...
Corpora are used widely in linguistics, but not always wisely. This book attempts to frame corpus linguistics systematically as a variant of the observational method. The first part introduces the reader to the general methodological discussions surrounding corpus data as well as the practice of doing corpus linguistics, including issues such as the scientific research cycle, research design, extraction of corpus data and statistical evaluation. The second part consists of a number of case studies from the main areas of corpus linguistics (lexical associations, morphology, grammar, text and metaphor), surveying the range of issues studied in corpus linguistics while at the same time showing how they fit into the methodology outlined in the first part.
Boost language arts skills with this collection of decorativeand educationalclassroom displays. These bulletin boards feature mostly student creations, saving teachers time, and giving kids a sense of pride in the classroom. Students assemble Eye Spy Collages to help understand the difference between proper and common nouns, create Ornament Books that focus on story elements, make Pop-Up Posters to show story settings, and much, much more! For use with Grades 4-8."
The analysis of metaphors constitutes an ideal point of entry into the exegesis of Biblical Hebrew poetic texts because it forces the exegete to examine the said text from a variety of perspectives. How can one discern the presence of metaphorical speech? What are the various types of metaphorical speech available to and employed by the biblical poet? How does the structure of a piece of Hebrew poetry carry its metaphorical dimensions? How did the biblical poet make use of the various types of metaphor and to what end? Can we ultimately gain access to the poet's meaning? The present study endeavours to provide at least a partial answer to these questions. In maintaining focus on the biblical text, moreover, the author hopes to anchor some of the abstractions of metaphorical theory with chosen examples taken from the so-called 'Apocalypse of Isaiah'. The Hebrew prophets constitute fertile ground in their use of metaphorical language for speaking the unspeakable, especially concerning the relationship between the people and God.