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Japanese movie posters have long held an elevated position in the world of film. While many countries were still relying on the art of the illustrated poster to draw in crowds, photomontage had already become the characterising stylistic feature amongst Japanese poster designers and artists. With over 400 posters dating from 1960 to the modern day originating from Hollywood cinema to European art films, the posters included make obvious Japan's dominant position in the field of modern film advertising.
As long as there have been movies, there have been posters selling films to audiences. Posters came into existence just decades before the inception of film, and as movies became a universal medium of entertainment, posters likewise became a ubiquitous form of advertising. At first, movie posters suggested a film's theme, from adventure and romance to thrills and spine-tingling horror. Then, with the ascendancy of the film star, posters began to sell icons and lifestyles, nowhere more so than in Hollywood. But every country producing films used posters to sell their product. Selling the Movie: The Art of the Film Poster charts the history of the movie poster from both a creative and a commer...
Spans the early days of the movie industry to the present. Drawn from the author's research and personal archives, this book presents movie posters as an art form as well as a slice of American history. High quality, all colour reproduction and accurate text makes this book excellent for reference, while movie lovers with delight in the opportunity to remember their favourite films.
Representing the commerce and culture of this era in films and capturing the mood of the turbulent decade when everything - art, fashion, morals, music, politics, philosophy - was in a state of flux, the book showcases film posters for such classics as: French New Wave and the British Kitchen Sink; Sergio Leone's Spaghetti Westerns and Andy Warhol's underground movies; Hollywood blockbusters like Cleopatra and Psycho and art-house classics like Blow-up and Un Homme et une Femme; plus, of course, Bond, Bardot, Barbarella, the Beatles, and more. Moreover, the films are represented not only by the posters that were designed for their domestic markets, but also by posters from Japan, Eastern Europe, and elsewhere, often juxtaposed with their American or British counterparts to show just how differently audiences throughout the world perceived the movies and their stars. Full of the tension and energy that defined the decade, and with over 250 full-color posters from a dozen different countries and authoritative commentary from experts in the field, Film Posters of the 60s will delight all film buffs as well as anyone interested in graphic design, advertising, and American culture.
The world s best, wittiest lowbrow designers reimagine movie posters for 150 cult films that are built into the DNA of any movie buff "Nightmare on Elm Street," "Psycho," "Vertigo," "Poltergeist," "Metropolis," "Ghostbusters," "Blue Velvet," "Blade Runner," "Star Wars," "Alien," "Mad Max," "Robocop," "Reservoir Dogs," "Jaws," " The Big Lebowski," "Rosemary's Baby," " Taxi Driver," "The Postman Always Rings Twice," and many more films are given new art by the likes of Grimb, Coop, O'Connell, Alderete, Hertz, Pullin, and more. Almost always better than the originals, these new visual takes on iconic movies will delight anyone with an interest in film. For the Hollywood aficionado this visual feast makes a perfect gift; while for graphic designers, both professional and students, this makes for a great source of ideas and inspiration."
With catchy titles like Hot Summer in the City, Captain Lust, Pleasure Palace, Nightdreams, Honey Buns, and Aunt Peg, the 1970s and early '80s were the undisputed golden age of the American hardcore sex film. Real movies performed by passionate actors, backed up with genuine plots, retro style and levels of imagination that hit peaks that have not been seen since. This was the era of porno chic. Graphic Thrills Volume Two proudly assembles another stunning selection of debauched and innuendo-packed theatrical film posters, with glorious unabashed sexuality dripping from every page. These joyous and colourful odes to sultry sin were designed to hang in the lobbies and front windows of the por...
The French New Wave is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape and it has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses were at the forefront of a revolution in art, graphic design and photography. This volume is a visual celebration of their explosive and ground-breaking poster art.
Sex, drugs, delinquency, Black power, alternative culture and, of course, rock and roll: these are just a few of the themes which have attracted the attention of the cinema's bottom-feeders over the past eighty years. A few of the resulting films have become cult classics, but most were simply tacky - few would probably now want to sit through two hours of High School Hellcats (1958) or Hot Rod Rumble (1957). The posters produced to promote them, on the other hand, are wonderful period pieces that vividly evoke the social fears, temptations and taboos of bygone eras. Up until the introduction of the Hayes Code in 1934 Hollywood had few inhibitions; the poster for Girl Without a Room (1933), ...
World vintage movie poster expert Tony Nourmand shares his personal selection of the 100 essential movie posters of all time. Features stunning images from designers such as Saul Bass, Paul Rand and Bill Gold and classic movie titles like Man With the Golden Arm, Breakfast at Tiffanys, Goldfinger and Metropolis, which holds the world record for the most expensive poster ever sold at $690,000, in a sale brokered by Tony in 2005. Beautiful and diverse imagery from around the world with accompanying photographs and text.