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Human Resources
Fiona Moore is a Canadian-born academic, writer and critic living in London. Her work has been shortlisted for BSFA Awards and a World Fantasy Award. Her short fiction has appeared in Clarkesworld, Asimov's, Interzone, ParSec and elsewhere, and has been selected for four consecutive editions of The Best of British Science Fiction. Eighteen stories drawn from more than a decade of publications, plus the title story: a brand new novelette that appears here for the first time. From a woman rebelling against the corporation that has turned her into living, breathing product placement to a story of misfit automata that have outlived their sell-by date. From a murder case involving an AI car to th...
Fiona
Fiona has a chance to leave her dark past behind. Fee receives an email from a stranger named Lily, a countess who claims to have known her now-deceased mother. Lily invites her to live in her Scottish castle as an au pair for her young daughter, Poppy. But the family secrets she brings with her will either destroy her . . . When Fee starts hearing and seeing strange things around the castle at night, Fee is terrified she’s inherited her mother’s illness. She tells no one. Or set her free. Revealing her true identity might be the only thing that can release Fee from her tragic past. But will anyone believe her? Can Fee even believe herself?
Global Taiwanese
Illuminating how the identities of Taiwanese diasporic subjects are contextually and historically shaped, this book advances a nuanced, complex, and differentiated understanding of globalization.
Transnational Business Cultures
This volume explores how the idea of 'culture' is used and exploited by transnational managers to further their own ambitions and their companies' strategies for expansion. It thus provides a more complex picture of culture than has previously been presented in business studies, in that it deals with the strategic value of culture within organizations rather than viewing it as a neutral concept and, through using qualitative methodologies, gives us a full picture of the lived experience of culture in a multinational corporation. It also considers the impact of global corporate activity on both national and organizational cultures, as well as looking specifically at the ways in which communications technology is used as a site of conflict and negotiation in business. This book will be an invaluable resource for both researchers and professionals, yielding important new insights into the roles of local and global cultures in the operation of transnational corporations.
Management Lessons from Game of Thrones
This intriguing and absorbing book takes a look at aspects of Westerosi society and politics from an anthropological and organizational studies angle. It shows both how management theory influenced the world-building in the Game of Thrones franchise, and also how students, academics and managers can draw on the series to further enhance their understanding of concepts in human resource management and organization theory.
Fall Out
'The whole Earth ... as the Village.' 'That is my hope. What's yours?' 'I'd like to be the first man on the moon.' The impact of The Prisonerupon society was explosive, transforming art, storytelling and popular culture like no other television programme before or since. Patrick McGoohanspearheaded the project in his role as an unnamed man, held against his will in a strange isolated Italianate village, tormented by a succession of individuals, each calling themselves Number 2, whose true motivations and intentions towards him remained a constant mystery. The man, known only as Number 6, attempted escape, was befriended and betrayed, underwent hallucinogenic journeys, and experienced many strange revelations, before the series achieved its cathartic climax. The Prisonerwas ahead of its time, and in this book, Alan Stevensand Fiona Mooretake on the task of debriefing the programme and attempting to make sense of the many interpretations and readings which have been placed on it. This is not the book with all the answers but it may help you ask the right questions. Introduction by film editor and writer Ian Rakoff.
Professional Identities
In both professional and academic fields, there is increasing interest in the way in which white-collar workers engage with institutions and networks which are complex social constructions. Covering a wide variety of countries and types of organization, this volume examines the diverse ways in which individuals’ ethnic, gender, corporate and professional identities interact. This book brings together fields often viewed in isolation: ethnographies of groups traditionally studied by anthropologists in new organisational contexts, and examinations of the role of identity in corporate life, opening up new perspectives on central areas of contemporary human activity. It will be of great interest to those concerned with practical management of institutions, as well as those of us who find ourselves working within them.
Liberation
From its first appearance in 1978 to its final episode in 1981, 'Blake's 7' was a series which pushed back the boundaries of what was possible in TV science fiction. Despite the attempts made by critics over the years to deride it for its low-budget special effects, sometimes-dubious costume design and overly middle-class casting, 'Blake's 7' continues to remain popular and to gain new audiences, due to its intelligent treatment of powerful themes of human evil, rebellion, love and death. In this book, Alan Stevens and Fiona Moore go beyond the stereotypes and look at the background to and the writing of the stories. Including technical details, overviews of the production of the series and in-depth analyses of every episode, this book is the ideal companion for anyone interested in the development of TV science fiction during the late seventies. '... a wealth of detail about the early development of the series.' From the foreword by series producer David Maloney
The Real Ireland
The Real Ireland is the first study of Irish documentary film, but more than that, it is a study of Ireland itself--of how the idea of Ireland evolved throughout the twentieth century and how documentary cinema both recorded and participated in the process of change. More than just a film studies work, it is a discussion of history, politics and culture, which also explores the philosophical roots of the documentary idea, and how this idea informs concepts of society, self and nation. It features rare and previously unseen illustrations and a detailed documentary filmography, the first of its kind in print anywhere.
