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This book focuses on the first Supreme Court case to grant Jewish Americans race-based civil rights and highlights the complexity of White-perceived Jewish racialization in the United States. In 1982, vandals defaced Shaare Tefila Congregation in Silver Spring, Maryland, with Ku Klux Klan and neo-Nazi images and slogans. Because no religion-based statutes applied to the desecration, the synagogue’s lawyers were required to utilize race-based statutes. In her close study of what became the 1987 case Shaare Tefila Congregation v. Cobb, Annalise Glauz-Todrank offers a nuanced analysis of the ways in which the members of the congregation, their lawyers, and the vandals’ lawyers used the conc...
A monograph on SF-based architects Kuth/Ranieri. The book is organized into three distinct sections. Ila Berman introduces the monograph with her essay, 'Paradoxical Matters', and provides additional text insertions that appear on selected projects throughout the volume.
In his most recent art project, Branding the Campus, Christian Philipp Muller considers the representation of the university in the public sphere. Taking the University of Luneberg as its main site of inquiry, Muller's investigations reveal that "branding" is not simply the creation of identificatory signs. Branding the Campus problematizes the commercial pressures put on universities of late, pressures which affect the content and social criteria of academic culture. Textual and photographic documentation of Muller's two-part permanent installation is accompanied by essays examining the methodological and content-oriented relationship between this work and the artist's previous projects.
At a time when environmental architecture is proliferating in all its forms around the world, adopting ever more complex sets of tools, this book provides an overview of the state of the field. It provides a critical introduction to the study of environmentalism in architecture. Written especially for students and researchers who work in the field of environmental architecture, this book reveals the spectrum of approaches practiced today. The text includes: An abridged history and overview of environmentalism in the field of architecture. A clear methodology for analyzing the included 29 cases, which can also be adopted for further guidance in a variety of architectural design projects. Assessments of 29 buildings: 10 libraries, 10 museums and 9 university buildings from around the world. Analyzing Eco-Architecture: Beyond Performance is essential reading for students, researchers and practitioners involved in the study and design of environmental architecture today.
In recent years a remarkable generation of young architects has developed in France, whose work is often characterized by a fearless use of material--often steel and concrete--or by the play of transparency and the dissolving of materiality. Projects such as Nasrine Seraji's American Center in Paris, the Academy of Fine Arts in Limoges by LabFac or the Cemetary in Roquebrune by Marc Barani have all attracted international acclaim. This book presents 14 of the most interesting offices from all regions of France and attempts to provide an overall view of this phenomenon. Amongst the offices documented are: Avant Travaux, Laurent + Emanuelle Beaudoin, Besset + Lyon, Frederic Borel, Brochet, Lajus Pueyo, Manuelle Gautrand, Herault-Arnod, Lipsky + Rollet, Francois Roche, Tectoniques and Tetrarc.
Making exhibitions is a collaborative art, producing is a multi-layered unity of ideas and objects, of invention and manifestation, of content and form. However, there is an antagonistic dimension to it, because content and form are traditionally represented by the entirely different realms of curator and designer. Future successful developments in exhibition-making are dependent on whether this gap of antagonism can be bridged. space.time.narrative calls for a paradigmatic shift of focus. It puts forward a unique approach, breaking down traditional barriers and offering a wide-ranging theoretical context, redefining and expanding the parameters and the dynamics of the exhibition-format in t...