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Follies in America
Follies in America examines historicized garden buildings, known as "follies," from the nation's founding through the American centennial celebration in 1876. In a period of increasing nationalism, follies—such as temples, summerhouses, towers, and ruins—brought a range of European architectural styles to the United States. By imprinting the land with symbols of European culture, landscape gardeners brought their idea of civilization to the American wilderness. Kerry Dean Carso's interdisciplinary approach in Follies in America examines both buildings and their counterparts in literature and art, demonstrating that follies provide a window into major themes in nineteenth-century American culture, including tensions between Jeffersonian agrarianism and urban life, the ascendancy of middle-class tourism, and gentility and social class aspirations.
Visions of Ruin
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Follies
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Wiltshire Follies
The fascinating story of architectural follies in Wiltshire, written by the editor of the leading specialist magazine.
The English Folly
If this were a novel, the tales of astounding wealth, sexual perversion, murder, munificence, rape, insanity, brutality, slavery, religious mania, selfishness, snobbery, charity, suicide, generosity, theft, madness, wickedness, failure and eccentricity which unfold in these pages would be too concentrated to allow for the willing suspension of disbelief. All these sins and virtues, and more, are displayed by the characters in this book, some exhibiting several of them simultaneously. Folly builders were not as we are. They never built what we now call follies. They built for beauty, utility, improvement; it is only we, struggling after them with our imperfect understanding, who dismiss their...
Drawing on Architecture
How architectural drawings emerged as aesthetic objects, promoted by a network of galleries, collectors, and institutions, and how this changed the understanding of architecture. Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside the process of building. In Drawing on Architecture, Jordan Kauffman offers an account of how architectural drawings—promoted by a network of gall...
Drawing and Experiencing Architecture
How were the concepts of the observer and user in architecture and urban planning transformed throughout the 20th and 21st centuries? Marianna Charitonidou explores how the mutations of the means of representation in architecture and urban planning relate to the significance of city's inhabitants. She investigates Le Corbusier and Ludwig Mies van der Rohe's fascination with perspective, Team Ten's interest in the humanisation of architecture and urbanism, Constantinos Doxiadis and Adriano Olivetti's role in reshaping the relationship between politics and urban planning during the postwar years, Giancarlo De Carlo's architecture of participation, Aldo Rossi's design methods, Denise Scott Brown's active socioplactics and Bernard Tschumi's conception praxis.
Architectural Follies in America
Architectural Follies in America More than mere curiosities, all of the architectural follies described in this illustrated guide are masterpieces in their own right. Each is the incarnation of its creator's singular passion, vanity, or idée fixe, from the home of the future to the storybook castle, the palace of love to the monument of spite, the house of devotion to the pleasure garden. Architectural Follies in America offers readers an unparalleled opportunity to become acquainted with some of the most outstanding examples of this class of architectural marvel. With Gwyn Headley as our guide, we travel the length and breadth of the United States—from the Leaning Tower of Pisa in Niles,...
The Story of Follies
A beautifully illustrated history of these quirky ornamental buildings in gardens across the globe. Are they frivolous or practical? Follies are buildings constructed primarily for decoration, but they suggest another purpose through their appearance. In this visually stunning book, Celia Fisher describes follies in their historical and architectural context, looks at their social and political significance, and highlights their relevance today. She explores follies built in protest, follies in Oriental and Gothic styles, animal-related follies, waterside follies and grottoes, and, finally, follies in glass and steel. Featuring many fine illustrations, from historical paintings to contemporary photographs and prints, and taking in follies from Great Britain to Ireland, throughout Europe, and beyond, The Story of Follies is an amusing and informative guide to fanciful, charming buildings.
Follies of Europe
As a genre the folly gave Europe a wonderful legacy of idiosyncratic, sometimes experimental architecture. Follies of Europe is a collection of photographs with accompanying text that illustrates the wealth and exuberance of follies, ranging from the Baroque and Rococo through Art Nouveau to the present day. Follies were built for pleasure with passion and self indulgence. They reflect and celebrate the individuals who created them. This book shows the dedication to detail that makes both the buildings and the personalities result in these unique art forms.
