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In this delightful book, the author explores the "floral outburst" that occurred in medieval manuscripts of the 14th and 15th centuries.
Each section of Flowers in Medieval Manuscripts includes relevant details of the manuscripts from which the illustrations are taken, and the concluding section discusses manuscript production in relation to these margins.
Many favorite flowers, such as roses, irises, and lilies had long been endowed with a wealth of symbolic meanings. Renaissance artists, by embracing new methods of scientific observation, were able to portray them for the first time with an accuracy that made each species easily identifiable. --
This volume addresses challenges at methodological, procedural and conceptual levels for the responsible conduct of research in the field. Each chapter includes case examples to illustrate significant ethical principles.
Many of the flowers and fruits growing in our gardens and greenhouses today were brought to the West by collectors or traders. This book describes the origins of these plants, with quotations from the people of Asia who first appreciated, cultivated and wrote about them. Almost all the illustrations are by Asian and Middle Eastern artists, some of them hired by European collectors.0Celia Fisher begins with an account of the long history of gardens in the East, and of how Eastern plants and botanical knowledge came to be transmitted to Europe. This is followed by seventy-four alphabetical plant entries, ranging from acacia to wisteria, each illustrated with wonderful pictures from a range of books, manuscripts, paintings and drawings.
"From the myths of ancient Egypt to the medieval Islamic 'conference of the birds', and featuring exotic species from around the globe as well as humble garden birds, Fisher explores the art, legends and literature of many world traditions. She reveals how the great age of exploration brought spectacular, newly discovered birds to European attention, and showcases stunning paintings from travellers in Asia, Australia and the Americas. More than 100 colour illustrations are drawn from medieval manuscripts, antique maps, paintings, natural history albums and magnificent historic printed books."--Jacket.
This is a book about flowers and about painters. The author has chosen forty of her favourite flower paintings and as she is both expert gardener and art historian, she has all manner of fascinating things to say about the flowers, the artists and the contexts of the paintings. Manet's Still Life with Rose and Brioche may still hold secrets but it certainly records the arrival of the new hybrid tea rose in all its perfection. Vanessa Bell's Red Hot Pokers and Artichoke came in the wake of Roger Fry's Post-Impressionist exhibitions in London and at a time when Bell had found refuge and creative energy with Duncan Grant at Charleston. The paintings are not always the most obvious - Van Gogh is here represented by a ravishing branch of almond blossom. But Monet has his waterlilies and Rennie Mackintosh his delicate fritillaries and there is a feast of glorious Dutch bouquets. There is old and new, known and unknown in this wonderful collection. Each painting has been chosen both to delight the eye and to offer a source of lively stories and intriguing facts.
August, 2003. Celia Walden, a young reporter, receives an unusual phone call from her editor. She is to drop everything and fly to Malta in an attempt to track down a legendary footballer and keep him from the press. George Best, an alcoholic with his personal life in chaos, isn't, however, the easiest man to find. But the unlikely friendship that develops between George and Celia reveals an intelligent and complex human being. Babysitting George is a tender account of a unique relationship between a young woman and a dying star, which questions the exploitative nature of fame and tabloid journalism, the horrors of addiction and the humane, implausible friendships that can change one's life forever.
"A former slave, Mrs Fisher came from Mobile, Alabama and began cooking for San Francisco society in the late 1870's"--Back cover.
A thorough cross-disciplinary exploration of the implications of genomics-influenced educational practice, for consideration by scientists, practitioners and laypersons alike.