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Nigerian Film Culture and the Idea of the Nation
Collectively, the essays brought together in this book represent a discursive confluence on Nollywood as a local film culture with a global character, aspiration and reach. The governing concern of the book is that texts, including film texts, are animated by a particular sociology and anthropology which gives them concrete existence and meaning. The book argues that Nollywood, the Nigerian video film text, is deeply rooted in the sub-soil of its social and cultural milieux. Nollywood is therefore, engaged in the relentless negotiation and re-negotiation of the everyday lives of the people against the backdrop of their cultural traditions, social contradictions and the politics of their ethnic/national identity, longing and belonging. The essays weave an intricate and delicate argument about the critical role of Nollywood to the idea of nationhood and the logic of its narration with implications for language, politics and culture in Africa. The book is a valuable addition to the critical discourse on the important place of film and cinema studies in national engineering processes.
Mental Illness in Popular Media
Whether in movies, cartoons, commercials, or even fast food marketing, psychology and mental illness remain pervasive in popular culture. In this collection of new essays, scholars from a range of fields explore representations of mental illness and disabilities across various media of popular culture. Contributors address how forms of psychiatric disorder have been addressed in film, on stage, and in literature, how popular culture genres are utilized to communicate often confusing and conflicted relationships with the mentally ill, and how popular cultures around the world reflect mental illness and disability. Analyses of sources as disparate as the Batman films, Broadway musicals and Nigerian home movies reveal how definitions of mental illness, mental health, and of psychology itself intersect with discourses on race, gender, law, capitalism, and globalization. Instructors considering this book for use in a course may request an examination copy here.
Trends in Nollywood
Trends in Nollywood: A Study of Selected Genres is a welcome addition to the growing body of works on the Nigerian cinema. It is part film history and part film theory and criticism. The history part traces the origin of the Nigerian cinema up to the present era of video productions. The work examines in detail, the contextual issues which have helped to define emergent trends within the industry.
Auteuring Nollywood
Beginning from an auteur standpoint, this book interrogates extant cinematic re-presentation of African and Nigerian postcolonial realities in Nollywood. It makes a case, using Kunle Afolayan's The Figurine, for a critical space-clearing gesture around the notion of a neo-Nollywood, which transcends the formulaic cinematic re-presentation of African and Nigerian realities to embrace a visionary and philosophic rearticualtion of the role of film-making, and of Nollywood, in the Nigerian imagination. The Idea of neo-Nollywood, and a visionary director, therefore stands at the core of a cinematic production process that challenges, disturbs and stimulates perceptions of current and future African identities
An African Feminist Philosophy of Language
This book calls for the institution of an African feminist philosophy of language, challenging existing debates and encouraging a move away from the Western gaze. The book begins with an analysis of the philosophical context of African feminism, and a call for the decolonization of epistemological discourse. Oyeleye then goes on to consider how indigenous patriarchies play out in the cultural reality of the Yorùbá in particular, ontologically unpacking the nature of woman as expressed in language, especially in myths and proverbs. Challenging the derogatory language found in proverbs which entrench patriarchal oppression, the author advocates for feminist postproverbials: new proverbs which draw on old traditions but reconstruct the space of woman in a new, egalitarian rhetorical tradition. The author concludes by outlining the conditions necessary for African feminist philosophers to consider language as a decolonizing space which can help to push through the agenda of social change. This book will be an important resource for researchers from across the fields of gender and women studies, feminist philosophy, philosophy of language, cultural studies, and African studies.
African Youth in Contemporary Literature and Popular Culture
This book explores how African youth are depicted in contemporary literature and popular culture, and discusses the different ways by which they attempt to construct personal and cultural identities through popular culture and social media outlets. The contributors approach the subject from an interdisciplinary perspective, looking at images in children’s and adolescent literature from Africa, and the African diaspora, from Nollywood and Hollywood movies, from popular magazines, and from youth cultures encountered directly through field experiences. The findings reveal that there are many stereotypes about Africa, African youth and black cultures, and that African youth are aware of these....
Pentecostalism and Politics in Africa
As the epicenter of Christianity has shifted towards Africa in recent decades, Pentecostalism has emerged as a particularly vibrant presence on the continent. This collection of essays offers a groundbreaking study of the complex links between politics and African Pentecostalism. Situated at the intersection between the political, the postcolonial, and global neoliberal capitalism, contributors examine the roots of the Pentecostal movement’s extraordinary growth; how Pentecostalism intervenes in key social and political issues, such as citizenship, party politics, development challenges, and identity; and conversely, how politics in Africa modulate the Pentecostal movement. Pentecostalism and Politics in Africa offers a wide-ranging picture of a central dimension of postcolonial African life, opening up new directions for future research.
Women in the International Film Industry
The chapter Experiencing Male Dominance in Swedish Film Production” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
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Spirit Deep
What would it mean for American and African American literary studies if readers took the spirituality and travel of Black women seriously? With Spirit Deep: Recovering the Sacred in Black Women’s Travel, Tisha Brooks addresses this question by focusing on three nineteenth-century Black women writers who merged the spiritual and travel narrative genres: Zilpha Elaw, Amanda Smith, and Nancy Prince. Brooks hereby challenges the divides between religious and literary studies, and between coerced and "free" passages within travel writing studies to reveal meaningful new connections in Black women’s writings. Bringing together both sacred and secular texts, Spirit Deep uncovers an enduring spiritual legacy of movement and power that Black women have claimed for themselves in opposition to the single story of the Black (female) body as captive, monstrous, and strange. Spirit Deep thus addresses the marginalization of Black women from larger conversations about travel writing, demonstrating the continuing impact of their spirituality and movements in our present world.
