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The Studio of Alberto Giacometti
This publication and the accompnaying exhibition echo Jean Genet's famous 1957 essay, L'Atelier d'Alberto Giaocometti. Both explore the various facets of the now famous studio on rue Hippolyte Maidron - laboratory, ritual place and major component of the artist's work. This studio where Giacometti, one of the 20th century's major artists, lived from 1926 to 1965, is probaby placed at the very core of the building, the presentation and the disemination of his work and his own image. This book is illustrated by many previously unseen archives.
Giacometti: Without End
Giacometti: Without End is published on the occasion of an exhibition at Gagosian Gallery, Hong Kong, organized in collaboration with the Fondation Alberto et Annette Giacometti. The catalogue centers on a set of 150 lithographs made by Giacometti that focus on cafés, boulevards, and his own atelier in his beloved Paris. The fully illustrated catalogue provides thorough documentation of the Paris sans fin suite, including artist proofs and carbon transfer papers that document the artist’s process, as well as a selection of related sculptures and paintings. The book also includes two small booklets that fit inside the front and back covers. One is a small facsimile of the book of Paris sans fin prints, 150 total, and the second booklet is a small facsimile of the entire preparatory maquette for the project. Exhibition curator and art historian Véronique Wiesinger has written a substantial text that will appear alongside texts by two Chinese artists: Szeto Lap and Shen Yuan. All text will appear in English as well as Chinese.
Cézanne & Giacometti
Though they were born 62 years and hundreds of miles apart, synchronicities between Paul Cézanne and Alberto Giacometti continue to arise. Called "father of us all" by Pablo Picasso, the French Post-Impressionist Cézanne is widely regarded as the artistic bridge between Impressionism and Modernism, and he was highly influential to Giacometti, the Swiss sculptor known for his Surrealistic, elongated human forms of the 1940s, 50s and 60s. The subtitle of this volume, Paths of Doubt, refers in part to both artists' refusal of the movements by which they were embraced: in Cézanne's case, Impressionism, and in Giacometti's, Surrealism. Doubt also alludes to Cézanne's late success. His legenda...
Alberto Giacometti, Francis Bacon
This book shows the work of Alberto Giacometti and Francis Bacon which was inspired by Isabel Rawsthorne. Isabel herself was an artist who moved to Paris in the mid-1930s and both the artists had a unique and special relationship with Isabel at different times in their lives.
Giacometti
"Alberto Giacometti (1901-1966) always saw himself at the center of a cosmos of events and people, a notion that characterized his examination of the relation between figure, time, and space, and in which the members of his family played an important role. Alberto's father, the painter Giovanni Giacometti, encouraged his son from an early age. His brother Diego was his assistant and model, and after Alberto's death, he became famous for his bronze furniture. Bruno, the youngest brother and a renowned architect; Annetta, his mother; Annette, Alberto's wife; and Silvio, the son of his sister Ottilia, who died in childbirth, were all indispensable models for him. Finally, although he was only a...
Alberto Giacometti
Webster J. Duck turns to several animals when he tries to find his mother.
Alberto Giacometti
"Space does not exist," the Swiss sculptor Alberto Giacometti (1901-1966) wrote in 1949. "It has to be created... Every sculpture made on the assumption that space exists is wrong, there is only the illusion of space." This fascinating statement serves as a conceptual underpinning for Hatje Cantz's new appraisal of the artist's mature work. Giacometti's emaciated sculptures have long been seen as symbols of a newly anxious, frail humanity. But more recently, attention has come to focus on the relevance of his work for contemporary considerations of space and time. Alberto Giacometti: The Origin of Space supplies a comprehensive overview of the later works of this lastingly influential artist, presenting 200 color images of sculptures, paintings and drawings.
Giacometti
Since his death at the age of sixty-four in 1966, Alberto Giacometti has become recognised internationally as one of the most important artists of the twentieth century and sales of his sculptures now achieve record-breaking prices. Belonging to no particular artistic movement, he developed through cubist and surrealist phases and later attained a mature, individual idiom whose preoccupation with the depiction of a human presence in an enveloping space may be seen in relation to contemporary existentialist concerns with defining the place and purpose of man in a godless universe. Taking its title from Jean-Paul Sartre, who described Giacometti’s endeavour to give ‘sensible expression’ ...
Giacometti
Alberto Giacometti is one of the few artists of the last century whose work is almost more recognisable than his name. His distinctive elongated figures are inescapably associated with the post-war climate of existentialist despair. However, the story of Giacometti's evolution, from his first professional works of art through his surrealist compositions, to the emergence of his mature style has rarely been explored fully and in depth. This comprehensive overview of Giacometti's career focuses on the art, the people and the events that influenced him, and on the original and experimental way in which he approached and developed his work. An illustrated glossary of texts on his life and work is accompanied by a plate section of strikingly beautiful illustrations of his sculptures, paintings and drawings as well as sketchbooks, decorative works and photographs from the Foundation Alberto et Annette Giacometti archive some of which have never been published before. 00Exhibition: Tate Modern, London, United Kingdom (09.05.2017-10.09.2017).
Alberto Giacometti
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