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This 19th century work examines great figures from history from a psychological perspective. The story of Louis Riel begins on page 238 of the book.
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This collection compiles essays by medievalist scholars that examine the variety of ways authors have fictionalized the medieval period while meeting the challenge of creating engaging literature. More significantly, this project seeks to explore the importance of authenticity in these works of medievalism. The works discussed represent a variety of genres, including historical, young adult, Arthurian detective fiction, paranormal romance and fantasy, as well as adaptations of Beowulf and Chaucer's Canterbury Tales. Opening the collection are three essays by author-scholars who share their processes of creating an authentic medieval world appealing to a wide audience. The remaining seven essays by medievalist scholars examine a variety of medievalist texts, addressing the extent to which their authors adhere to the facts of the period, while at times necessarily filling in historical gaps in the process of creating these works. Each of the essays addresses the concept of authenticity in fiction about the Middle Ages; together, they become a lively conversation about authenticity in narratives of various genres.
This facsimile edition features the intimately related writings of a mother, Lady Frances Norton (1640-1731), and her daughter, Lady Grace Gethin (1676-97). The posthumous publication of Gethin's collection of essays Misery's Virtues Whet-Stone (1699) was sponsored by her mother; subsequently Norton invoked her maternal grief as the grounds for publishing her own essay collection The Applause of Virtue to which is appended Memento Mori: Or, Meditations on Death (1705). These essay collections unconventionally privilege a female perspective on traditional topics such as friendship, love, marriage and death. Accordingly, they hold an intrinsic interest for their gendered point of view, as well as an extrinsic interest for their conditions of production. Norton's final published work, A Miscellany of Poems, Compos'd and work'd with a Needle, on the Backs and Seats &c. Of several Chairs and Stools (1714), further reprises the theme of maternal grief as the justification for women's writing. This extremely rare volume, which has not been listed in the English Short-Title Catalogue until now, is being reissued here for the first time since 1714.
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This is a new three volume collection of the correspondence of Caroline Norton. The collection also includes an introduction and five commentaries by the editor, contextualising and embedding Caroline's literary and political achievements within the narrative of her letters.