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(Dis)embodying Myths in Ancien Régime Opera
Will appeal to all music, literature, and art lovers seeking to deepen their knowledge of an increasingly popular repertoire.
Written Culture in a Colonial Context
Exploring the extent to which the control over the materiality of writing has shaped the numerous and complex processes of cultural exchange from the 16th century onwards, this book introduces the specifities of written culture anchored in colonial contexts.
Pagan Virtue in a Christian World
In 1462 Pope Pius II performed the only reverse canonization in history, publicly damning a living man. The target was Sigismondo Malatesta, Lord of Rimini and a patron of the arts with ties to the Florentine Renaissance. Condemned to an afterlife of torment, he was burned in effigy in several places in Rome. What had this cultivated nobleman done to merit such a fate? Pagan Virtue in a Christian World examines anew the contributions and contradictions of the Italian Renaissance, and in particular how the recovery of Greek and Roman literature and art led to a revival of pagan culture and morality in fifteenth-century Italy. The court of Sigismondo Malatesta (1417–1468), Anthony D’Elia s...
Digital Technology and Organizational Change
This book includes a selection of the best research papers presented at the annual conference of the Italian chapter of the Association for Information Systems (AIS), which took place in Verona, Italy in October 2016. Tracing various aspects of the ongoing phenomenon of evolution towards a global society, and consequently the ever-innovating digital world, it first discusses emerging technologies and the new practices in the information-systems world. It then examines the new businesses and ongoing business transformations. Lastly, it considers the economic and societal changes brought about by access to and exploitation of socio-technical networks. The plurality of views offered makes the book particularly relevant for users, companies, scientists and governments.
Aristo of Ceos
Volume 13 in the RUSCH series continues work already begun on the School of Aristotle. Volume 9 featured Demetrius of Phalerum, Volume 10, Dicaearchus of Messana, Volume 11, Eudemus of Rhodes, and Volume 12, both Lyco of Troas and Hieronymus of Rhodes. Now Volume 13 turns our attention to Aristo of Iulis on Ceos, who was active in the last quarter of the third century BCE. Almost certainly he was Lyco's successor as head of the Peripatetic School. In antiquity, Aristo was confused with the like-named Stoic philosopher from Chios, so that several works were claimed for both philosophers. Among these disputed works, those with Peripatetic antecedents, like Exhortations and Erotic Dissertations...
Claudio Monteverdi’s Venetian Operas
Claudio Monteverdi’s Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi’s late operas from an interdisciplinary perspective. The premise of the volume is the idea that constructive dialogue between musicologists and musicians, stage directors and theater historians, as well as philologists and literary critics can shed new light on Monteverdi’s two Venetian operas (and their respective librettos, by Badoaro and Busenello), not only at the levels of textual criticism, historical exegesis, and dramaturgy, but also with regard to concrete choices of performance, staging, and...
SOMA 2001
The Proceedings of the Fifth Annual Meeting of Postgraduate Researchers held at the University of Liverpool in 2001, comprises 30 papers, plus an introduction from the editors.
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European Tapestries in the Art Institute of Chicago
"This lavishly illustrated book presents a rich variety of European tapestries from the Art Institute of Chicago. These exquisite examples of the art of tapestry weaving include medieval, Renaissance, and Baroque works manufactured at many of the foremost workshops in the major centers of production. Among the pieces discussed are The Annunciation, a Renaissance masterpiece designed by an artist in the circle of Andrea Mantegna; The Story of Caesar and Cleopatra, a magnificent series of fourteen tapestries now attributed with certainty to Justus van Egmont, who worked in Rubens's studio; Autumn and Winter, based on designs by Charles Le Bron; and The Elephant, woven after a design by Jean-Baptiste Monnoyer. An international team of scholars explains the history of this previously unpublished collection and offers new designer and workshop attributions, design and source identifications, and provenance information." --Book Jacket.
