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Assembling the Lyric Self
As she moves from an overview to a consideration of particular authors (including Guittone d'Arezzo and Nicolo de' Rossi) and manuscripts, she both demonstrates the narrative and structural subtlety of many of the works and reveals unsuspected phases in a gradual historical shift."--BOOK JACKET.
Opere
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Testimony, Narrative and Image: Studies in Medieval and Franciscan History, Hagiography and Art in Memory of Rosalind B. Brooke
This volume unites a team of distinguished scholars from France, Germany, Italy, the UK, and the USA to celebrate Rosalind B. Brooke’s immense contribution to Franciscan studies over the last 60 years. It is divided into four sections, beginning with an appraisal of Dr Brooke’s influence upon Franciscan studies. The second section contains a series of historical studies and expressions of the Franciscan spirit. Hagiographical studies occupy the third section, reflecting the friars’ ministry and the thirst for the renewal of the Franciscan vision. The fourth part explores the art and iconographical images of St. Francis and his friars. These innovative studies reflect new insights into and interpretations of Franciscan life in the Middle Ages. Contributors are (n order of appearance) Michael W. Blastic, O.F.M., Maria Pia Alberzoni, Bert Roest, Michael F. Cusato, O.F.M., Jens Röhrkasten, David Luscombe, Luigi Pellegrini. Peter Murray Jones, Maria Teresa Dolso, Michael J.P. Robson, André Vauchez, David Burr, William R. Cook, Nigel Morgan, and Kathleen Giles Arthur.
Il palmaverde
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Anthology of the Works of Ugo Spirito
The Anthology of the Works of Ugo Spirito captures the trajectory of Ugo Spirito’s complex body of thought that spanned more than fifty years, from 1921 to 1977. While confronting difficult contemporary problems related to philosophy and science, liberalism and socialism, fascism and communism, and other economic and ideological aspects such as corporativism and democracy, Spirito revealed a persistent desire to reach truth and the absolute. Yet, he also voiced his failure to remain faithful to any philosophical or political system considered definitive and unquestionable. Unable to reach incontrovertibility, he consistently dissected the prevailing contemporary ideas and systems, including his own beliefs, developing at the same time the ‘antinomic’ approach, a method of critical analysis that undermined any truth reputed irrefutable. Today, Spirito stands as one of most anti-conformist Italian thinkers for he challenged the certainties of modern thought.
Diario di Ravenna
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Serie delle cronache
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