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This is a collection of discussions of grammatical relations and related concepts using current syntactic theory.
Learn how to activate water to enhance its healing abilities. From improving meditation to balancing blood sugar levels in your body, this book will give you plenty of ideas on how to use your basic tuning fork set. Included is a chapter on using the mineral tuning fork set.
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CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
He was born Béla Ferenc Dezso Blasko on October 20, 1882, in Hungary. He joined Budapest’s National Theater in 1913 and later appeared in several Hungarian films under the pseudonym Arisztid Olt. After World War I, he helped the Communist regime nationalize Hungary’s film industry, but barely escaped arrest when the government was deposed, fleeing to the United States in 1920. As he became a star in American horror films in the 1930s and 1940s, publicists and fan magazines crafted outlandish stories to create a new history for Lugosi. The cinema’s Dracula was transformed into one of Hollywood’s most mysterious actors. This exhaustive account of Lugosi’s work in film, radio, theater, vaudeville and television provides an extensive biographical look at the actor. The enormous merchandising industry built around him is also examined.
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
A critical introduction to the life and work of author William Sleator, who has written for both children and young adults and specializes in the field of science fiction.
"F*ck the Army! resurrects the history of the FTA, an antiwar variety show led by Jane Fonda in 1971, building a new theory of revolutionary activism out of the theatrical acts of solidarity and resistance that soldiers and civilians performed together, on stage and off, as they sought to end the U.S. war in Vietnam by connecting struggles for liberation across the lines of race, gender, and nationality"--