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Conflict and Conversion in Sixteenth Century Central Mexico
Concerns over native resistance to evangelization on and beyond the Chichimeca frontier (the frontier between sedentary and nomadic natives) prompted the Augustinian missionaries to use graphic visual images of hell to convince natives to embrace the new faith. The Augustinians believed that they were in a war against Satan.
The Imaginary Synagogue: Anti-Jewish Literature in the Portuguese Early Modern World (16th-18th Centuries)
This book scrutinizes literary works based on Judaism, Jews and their descendants, written or printed by the Portuguese, from the forced conversion of Jews in 1497, until the ending of the distinction between New and Old Christians in 1773. It tries to understand what motivated this vast literary production, its different currents, and how they evolved. Additionally, it studies the image of New Christians and seeks the reasons for the perpetuation of this perception of Jewish descendants in the Early Modern Portuguese world. The Imaginary Synagogue seeks to identify which Jews and which ‘synagogue’ those authors constructed in their texts and their reasons for doing so, and offers conclusions on the self-affirmed Catholic importance of this literary current.
Painting the Heavens
The remarkable astronomical discoveries made by Galileo with the new telescope in 1609-10 led to his famous disputes with philosophers and religious authorities, most of whom found their doctrines threatened by his evidence for Copernicus's heliocentric universe. In this book, Eileen Reeves brings an art historical perspective to this story as she explores the impact of Galileo's heavenly observations on painters of the early seventeenth century. Many seventeenth-century painters turned to astronomical pastimes and to the depiction of new discoveries in their work, yet some of these findings imposed controversial changes in their use of religious iconography. For example, Galileo's discovery...
The Collapse of Time
In 1571, Diego Ortiz, an Augustinian friar, was executed in the neo-Inca state of Vilcabamba (Peru). His killing, and the events surrounding it, marked the final destruction of the Inca Empire by the Spanish and the definitive imposition of a new order on the continent of the Americas. Ortiz’s story was recorded by the chronicler and fellow Augustinian, Antonio de la Calancha, in his Corónica moralizada (1638). He describes Ortiz’s missionary work and recounts his often-fractious relationship with the emperor Titu Cusi Yupanqui before turning to his martyrdom, the destruction of Vilcabamba by the Spanish, and the capture and execution of the last Inca emperor Tupac Amaru. Calancha’s a...
Voices of Conscience
Voices of Conscience analyzes how the link between politics and conscience was articulated and shaped throughout the seventeenth century by confessors who acted as counsellors to monarchs. Against the backdrop of the momentous intellectual, theological, and political shifts that marked this period, the study examines comparatively how the ethical challenges of political action were confronted in Spain and France and how questions of conscience became a major argument in the hegemonic struggle between the two competing Catholic powers. As Nicole Reinhardt demonstrates, 'counsel of conscience' was not a peripheral feature of early-modern political culture, but fundamental for the definition of...
