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Megalithism, or the art of using huge boulders to create sacred, pagan monuments and sites, still fascinates us today. How did Prehistoric man cut, transport, and place such enormous stones, some weighing up to 200 metric tons, without bulldozers, drills, and cranes? Yet primitive man, without the written word or wheel, created structures which still stupefy us in the 21st century, both due to their components and the precision used in positioning them. This book takes us back in time to the 5th-2nd millennia B.C. and helps us visualise the Stone Age world and its constructions - menhirs, dolmens, rows and circles of standing stones. Undoubtedly they were sacred places, used for pagan ritual...
Joze Plecnik (1872-1957), one of the most important European architects of the twentieth century, created a highly original and independent architectural language. Drawing on the architecture of antiquity, the theories of Gottfried Semper and the teachings of Otto Wagner, Plecnik developed a refined but eclectic classicism that has become increasingly popular today. In this authoritative book, Damjan Prelovsek describes the life and work of the architect, analysing his buildings and his relationships with other architects and patrons, and placing his work in the perspective of current architectural ideas and practices. Prelovsek relates how Otto Wagner recognized Plecnik's enormous gifts and...
This book aims to reconceive the field of knowledge of the “Gallic past” in French discourse of the eighteenth and early nineteenth centuries by focusing on the monument as an object capable of underpinning insights into that past, the evolution of the concept, and the epistemic practices used to produce it. Through monuments, the book redirects our gaze toward the French provinces, where material and immaterial evidence of the Gallic past was “discovered” and transformed into epistemic objects. This perspective results in a “provincialization” of Paris as a site of knowledge production and sheds light on the crucial role of provincial scholarship, not only in the “invention” of the Gallic past but also in methodological and epistemological renewal. The result is a revision of recent historiography, which interpreted the narrative of an “autochthonous” pre-Roman, Gallic past as nation-building. This volume offers a pioneering contribution toward new directions in historical epistemology focused on the historicity of the “species” of evidence of each epoch.
Researching Art Markets brings together a scholars from several, various disciplinary perspectives. In doing so, this collection offers a unique multi-disciplinary contribution that disentangles some of the key aspects and trends in art market practices from the past to nowadays, namely art collectors, the artist as an entrepreneur and career paths, and the formation and development of new markets. In understanding the global art market as an ecosystem, the book also examines how research and perceptions have evolved over time. Within the frameworks of contemporary social, economic and political contexts, issues such as business practices, the roles of market participants and the importance ...
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The term “Yugoslavia” first appeared in an article in the newspaper Slovenija in Ljubljana on Friday, October 19, 1849. The author of the article declared that he was not interested in politics, but only in the literary unification of Yugoslavs within the Austro-Hungary Empire. With ongoing conflicts and disparate forms of nationalism in and around historical Yugoslavia as its backdrop, Yugoslavia without Yugoslavs for the first time addresses the history and idea of a united Yugoslavia in and during which a true “Yugoslav” identity never really came into being . Following a series of wars and uprisings from 1875 onwards, the first nation-state of Southern Slavs, established after World War I, became the “Kingdom of Serbs, Croats and Slovenes” — a competing nationalistic blender that would go through failure, revival and transformation of the concept of “Yugoslavia”.
Archaeologists from many different European countries here explore the very varied relationship between nationalistic ideas and archaeological activity through the course of the nineteenth and twentieth centuries. The resurgence of nationalism was one of the most prominent features of the European political scene in the 1990s, when this book was originally published. The past provides a large supply of ideas and images to support the claims of national identity deeply rooted in remote generations. The remote past revealed by archaeology also plays a part – heroes, heroines, golden ages long disappeared, objects to admire, and sites to provoke the memory, all called on to further the cause ...
Extensive work is a result of four year research within the international project Women's Creativity since the Modern Movement, and brings new insights into women in architecture, construction, design, urban planning and landscape architecture in Europe and in the rest of the world. It is divided into eight chapters that combine 116 articles on topics: A. Women’s education and training: National and international mappings; B. Women’s legacy and heritage: Protection, restoration and enhancement; C. Women in communication and professional networks; D. Women and cultural tourism; E. Women’s achievements and professional attainments: Moving boundaries; F. Women and sustainability: City and...