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The New York State Reporter
"Containing all the current decisions of the courts of record of New York State, namely: Court of Appeals, Supreme Court, New York Superior Court, New York Common Pleas, Superior Court of Buffalo, City Court of New York, City Court of Brooklyn, and the Surrogates' Courts" (varies slightly).
But Wait! There's More! (Maybe)
But Wait! There's More! (maybe) is the story of how the great and glamorous American Advertising Magic Show became a $500 billion global business, doomed itself in an ocean of corporate funny money and now struggles amid mounting chaos to be born anew in the Internet-driven media revolution of the 21st Century. The authors, both veterans of Adland's Golden Age, describe and illuminate this important business evolution through the colorful history of the creation, growth and destruction of the world's seventh largest advertising agency from its amusing on-the-cuff founding through the mega-agency pig-out of the last 20 years. But Wait!, populated with a wide swath of habitués of the advertis...
Annual Reports ...
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The City Record
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Holocaust and the Moving Image
Based on an event held at the Imperial War Museum in 2001, this book is a blend of voices and perspectives - archivists, curators, filmmakers, scholars, and Holocaust survivors. Each section examines films and how they have contributed to wider awareness and understanding of the Holocaust since the war.
A Review of the Air Force Materials Research and Development Program
One hundred and forty-five (145) technical reports and technical notes written during the period 1 July 1955 - 30 June 1956 are abstracted. These reports cover the following areas of research: adhesives, metallurgy, analysis and measurement, biochemistry, textiles, petroleum products, plastics, packaging, protective treatments and rubber. A contractor index, investigator index, and a numerical index of all the technical reports issued during the period March 1923 - June 1956 are provided.
Macbeth Multiplied
In what sense did Shakespeare’s representation of the Weird Sisters participate in the rewriting of village witchcraft? Was it likely to “encourage the Sword”? Did opera’s specific medial conditions offer Verdi special opportunities to justify the presence of stage witches more than three centuries later? How valid is the parallel between 19th century opera and the voyeurism of madhouse spectacle? Was Shakespeare’s play really engaged in the project of exorcizing Queen Elizabeth’s cultural memory? What does Verdi’s chorus of Scottish refugees have to do with shifting representations of ‘the people’? These are among the questions tackled in this study. It provides the first ...
