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The Festschrift celebrates Franz-Karl Ehrhard, Professor of Tibetan and Buddhist Studies at the Ludwig Maximilian University of Munich from 2003 to 2019. Offered on the occasion of his 65th birthday, it comprises 26 papers by friends and colleagues to honour his outstanding and far-reaching contributions to the field of Tibetan Studies. Mirroring Franz-Karl Ehrhard's research interests, the papers centre on the religious and literary traditions of Tibet and the Himalayas, including sacred geography, religious history, philosophy, and studies in textual production and transmission.
In this 3 volumes the great figures of Tibetan Buddhism and its literature a special place is held by Klong-chen Rab-byams-pa (1308-1364) of the rNying-ma-pa school. He is known for having tirelessly pursued all Buddhist learning available during his time and for having systematized the teachings of the "Great Perfection" or "Great Completeness" (rdzogs chen). Nevertheless, it seems that his writings were never collected together by his followers, as those of his contemporaries such as Bu-ston Rin-chen grub (1290-1364) have been.
For over 2500 years, Buddhism was implicated in processes of cultural interaction that in turn shaped Buddhist doctrines, practices and institutions. While the cultural plurality of Buddhism has often been remarked upon, the transcultural processes that constitute this plurality, and their long-term effects, have scarcely been studied as a topic in their own right. The contributions to this volume present detailed case studies ranging across different time periods, regions and disciplines, and they address methodological challenges as well as theoretical problems. In addition to casting a spotlight on topics as diverse as the role of trade contacts in the early spread of Buddhism, the hybrid...
Garland of Visions explores the generative relationships between artistic intelligence and tantric vision practices in the construction and circulation of visual knowledge in medieval South Asia. Shifting away from the traditional connoisseur approach, Jinah Kim instead focuses on the materiality of painting: its mediums, its visions, and especially its colors. She argues that the adoption of a special type of manuscript called pothi enabled the material translation of a private and internal experience of "seeing" into a portable device. These mobile and intimate objects then became important conveyors of many forms of knowledge—ritual, artistic, social, scientific, and religious—and spurred the spread of visual knowledge of Indic Buddhism to distant lands. By taking color as the material link between a vision and its artistic output, Garland of Visions presents a fresh approach to the history of Indian painting.
Three mountains and the seven rivers is a collection of 56 essays to felicitate the sixtieth birthday of Doctor Musashi Techikawa, Professor at Aichi gakuin University in Nagoya. This volume consist of thirteen Sections; (1) Ancient Geography, (2) Buddhism, (3) Madhyamika, (4) Iconography, (5) Jainism, (6) Logic, (7) Poetics, (9) Social Practice, (10) Tibetan Themes, (11) Vedanta and Mimamsa, (12) Samkhya and Yoga and (13) Tantrism. these saetions throw new light on enduring themes in Indian studies as well as raises fresh issues.
Best known today as the author of the Life of Milarepa, Tsangnyön Heruka (1452–1507) was one of the most influential mad yogins of Tibet. Stefan Larsson’s Crazy for Wisdom, describes Tsangnyön Heruka's life, based on narratives by his disciples, and examines an unexpected aspect of fifteenth-century Tibetan Buddhist practice.
This illustrated volume presents a wide variety of themes from the historical and modern periods of Bhutan, illustrating change and adaptation to new realities. Topics covered include the exploration of early history, Buddhism and the lives of Bhutanese Buddhist saints, the changing role of local, non-Buddhist religious practitioners in today s society, traditional law and the emergence of a modern legal system, and the seasonal celebrations of an aristocratic family from central Bhutan. The book will be of special interest to students of early Tibetan history, legal history, comparative sociology and cultural anthropology of the Himalayan regions.
Hidden Lands in Himalayan Myth and History showcases recent scholarship, photo essays, maps, and translations about hidden lands (sbas yul) across the Himalaya, from historical and contemporary perspectives.
Subject of The Many Canons of Tibetan Buddhism are both the mainstream Tibetan canons of translated Buddhist classics (known as the Bka' 'gyur & Bstan 'gyur), and the alternative canons of literature of the Nyingma sectarian traditions (known as the Rnying ma rgyud 'bum). The first section discusses the formation and transmission of Tibetan "canonical" texts, but also includes important works of reference, such as a Bka' gdams pa handbook and several unique catalogues. It also features a first report on Tibetan textual transmission in Mongolia. The second section not only presents interpretative analysis of one of the most important alternative canons in Tibet, the Rnying ma rgyud 'bum, but also discusses essential issues of legitimacy, authority and lineage during the "gray" period of the tenth to twelfth centuries which laid the foundation for the formation of all ensuing Tibetan canons. The volume thus develops fresh perspectives on the nature, plurality and contents of canons in Tibetan Buddhism.
The Many Canons of Tibetan Buddhism is one of the first publications to include scholarship on both the mainstream Tibetan canons of translated Buddhist classics, and the alternative canons of literature of the Nyingma sectarian traditions.