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It’s My Party
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Regional Assessment of Global Change Impacts
This book provides an overview of the GLOWA-Danube research project from 2001 to 2011, a transdisciplinary initiative which explores the future of water resources in the Upper Danube Basin. It documents the purpose and unique approach, architecture, methodologies, scenarios and results of the project, creating a scientific knowledge base for the dialogue of stakeholders and scientists. The book offers a possible blueprint for successful global change science through integrative and transdisciplinary co-creation of knowledge and orientation for regional adaptation within the context of the Future Earth research program.
Anarchival Practices
Where is the past? It is not really behind us, but with us, constantly imagined and re-imagined in public discourse through historical narrations. Using the Clanwilliam Arts Project as a case study, this volume is founded on the ‘anarchive’, a conceptual constellation that positions the past in relation to the present, bringing into view strategies to facilitate remembering beyond the colonial archive.
Utopia in Practice
This book is a collection of texts on one of China's boldest social experiments in recent years: the rural reconstruction project in Bishan. The Bishan Project (2011-2016) was a rural reconstruction project in a small village Bishan, Anhui Province, China. The writings describe and criticize the social problems caused by China’s over-loading urbanization process and starts a a contemporary agrarianism and agritopianism discourse to resist the modernism and developmentalism doctrine which dominated China for more than a century, answering a global desire for the theory and action of the alternative social solution for today’s environmental and political crises.This practical utopian commune project ran for 6 years and caused a national debate on rural issues in China, when it was invited to be exhibited and presented abroad. This collection of writing will be of interest to artists, China scholars, architects, and the cultural community at large.
Anxiety Aesthetics
Anxiety Aesthetics is the first book to consider a prehistory of contemporaneity in China through the emergent creative practices in the aftermath of the Mao era. Arguing that socialist residues underwrite contemporary Chinese art, complicating its theorization through Maoism, Jennifer Dorothy Lee traces a selection of historical events and controversies in late 1970s and early 1980s Beijing. Lee offers a fresh critical frame for doing symptomatic readings of protest ephemera and artistic interventions in the Beijing Spring social movement of 1978-80, while exploring the rhetoric of heated debates waged in institutional contexts prior to the '85 New Wave. Lee demonstrates how socialist aesthetic theories and structures continued to shape young artists' engagement with both space and selfhood and occupied the minds of figures looking to reform the nation. In magnifying this fleeting moment, Lee provides a new historical foundation for the unprecedented global exposure of contemporary Chinese art today.
Culture Paves The New Silk Roads
This book approaches Silk Road studies from within the microcosm of China’s Southwest avant-garde arts sector in order to approach the macrocosm of China’s cultural heritage and creative industry influence worldwide. While reading China’s cultural hegemony and its attendant ideologies as ‘shaping’ memory and history throughout New Silk Road regions, the book includes new regional research from within China's borders, as well as throughout New Silk Road regions. With twenty years of experience in China, Sophia G. Kidd fills a void in discussions of the New Silk Roads (NSR) which fail to underscore the importance of the initiative’s people-to-people component. Cultural diplomacy aids cooperation between New Silk Road Regions by reducing ‘cultural discount’ of Chinese cultural exports, i.e., ideas and values, creating a shift of geo-cultural thinking to come. This book will prove illuminating for students of the arts and soft power in greater China.
Art in a Multipolar World
This monograph takes a look at how the increasing multipolarity of our world affects art. It is a diagnosis of the socio-political contexts that surround art and questions what the upheavals in geopolitics, economic and social policy mean for the field of art today. The text is divided into four sections. First, the phenomenon is conceptualized and theorized. This is followed by an in-depth examination of the interrelationships using documenta fifteen as a case study, an exhibition that can be seen as a crystallization point for current political shifts. This is followed by an in-depth reading of Chinese art policy, which oscillates between particularist and universalist claims, in order to arrive at the concluding section, which opens up a horizon of thought and experimentation that helps us to come to terms with the era of multipolarity.
Liminal Spaces of Art between Europe and the Middle East
This volume brings together essays from different fields of the humanities and social sciences that offer a fresh look at the complexity of artistic and cultural contacts, transfers, and exchanges between Europe and the Middle East. The studies reach far beyond the geographical regions where Europe and the Middle East have met and interacted throughout their long histories, such as the eastern Mediterranean, the south Caucasus, and the Balkans. Their focus is on the variety of “contact zones” of the two worlds with specific artistic creativity, characterized by dynamic processes of movement and interchange between various cultural entities in the broadest and most complex sense of the word. The studies shed new light on diverse phenomena of the “in-between” or “liminal” spaces in art and culture, with special interest in artists and art works from ancient to modern times, from fine arts and architecture to music and video.
The Spirit of Individualism
This book is about avant-garde art in Shanghai in the 1980s which challenges the narrative in the current discourse on the appearance of contemporary art in China. Offering fresh perspectives and new insights into the art and the artists of this period, the book includes critical events in Shanghai, that will attract the serious attention of art professionals and collectors. The emergence of the Shanghai art scene in the 1980s mirrors the revitalisation of Shanghai that was tasked to lead China’s economic development trajectory onto the world stage. Shanghai, with its semi-colonial, political, economic and cultural history, including the strong legacy of the early twentieth century modernist art movement, has played a vital role in China’s modernisation and presents itself as a unique case in the evolution of contemporary art in China.
North German Opera in the Age of Goethe
This book is the first study of the development of German opera in northern Germany from the first comic operas of Johann Adam Hiller at Leipzig in 1766 to the end of the century. Intellectually and historically, the period witnessed the flowering of the German stage and German letters. German opera was an inseparable part of the new aspirations of the German stage during the Enlightenment. Thomas Bauman stresses the vital role of the mixed repertories of German companies in effecting changes in the genre. North German opera began as a basically literary genre. It then changed dramatically in response to two major trends: first, the contact with the serious elements and styles of tragedy and secondly, the triumph on German stages of Italian, French, and Viennese comic operas. The book is generously illustrated with music examples. There is also a complete catalogue of texts of North German opera: those composed for performance and unset published librettos both cross-indexed under the librettists' names.
