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Impressionism
Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wid...
The Brothers Le Nain
A beautiful volume that brings to light the forgotten Le Nain brothers, a trio of 17th-century French master painters who specialized in portraiture, religious subjects, and scenes of everyday peasant life In France in the 17th century, the brothers Antoine (c. 1598-1648), Louis (c. 1600/1605-1648), and Mathieu (1607-1677) Le Nain painted images of everyday life for which they became posthumously famous. They are celebrated for their depictions of middle-class leisure activities, and particularly for their representations of peasant families, who gaze out at the viewer. The uncompromising naturalism of these compositions, along with their oddly suspended action, imparts a sense of dignity to...
Defending National Treasures
National Treasures explores the fate of French art and heritage during the Nazi occupation of France, revealing the roots of contemporary cultural policy in the Vichy era and exposing a hidden convergence of resistance and collaboration in French museology.
A Corpus of Rembrandt Paintings
Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community ...
Order and Disorder under the Ancien Régime
This collection of revised and previously unpublished articles explores aspects of the history of monarchy, family, suicide, and sodomy in early modern, especially eighteenth-century France. The durable but flexible traditions of the Ancien Régime not only sanctified but also limited the prerogatives of sovereigns over subjects and husbands/fathers/masters over wives, children, and servants. Private and public weakness and excess in those who ruled the kingdom and the household undermined their masculinity and legitimacy. Merrick analyzes expositions of and contestations about the origins, extent, and use and abuse of gendered royal and domestic authority in a wide variety of sources, inclu...
A City for Impressionism
IMPRESSIONISM. This text explores the importance of the city of Rouen to the Impressionist painters of the late 19th century. It includes work by Monet, Pissarro and Gauguin and looks at why the city was deemed 'as beautiful as Venice'.
The Wreck of the Medusa
A “thrilling . . . captivating” account of the most famous shipwreck before the Titanic—a tragedy that inspired an unforgettable masterpiece of Western art (The Boston Globe). In June 1816, the Medusa set sail. Commanded by an incompetent captain, the frigate ran aground off the desolate West African coast. During the chaotic evacuation a privileged few claimed the lifeboats, while 147 men and one woman were herded aboard a makeshift raft that was soon cut loose by the boats that had pledged to tow it to safety. Those on the boats made it ashore and undertook a two-hundred-mile trek through the sweltering Sahara, but conditions were far worse on the drifting raft. Crazed, parched, and ...
Les Musées de province dans leur environnement
Près de deux mille musées en France à l'aube de l'an 2000 ! Les musées français affichent une existence souvent centenaire. Parmi eux les musées de province, longtemps caricaturés, apparaissent aujourd'hui comme les principales vitrines culturelles des collectivités locales. L'ouvrage, fruit d'une journée d'études consacrée à l'histoire des musées de province dans leur environnement, propose des parcours complémentaires. Au-delà de monographies sur le Muséum d'Histoire naturelle de Rouen au 19e siècle et les musées des Beaux-Arts de Dijon, Rouen et Le Havre au 20e siècle, on interroge ici les pratiques et les politiques des musées locaux depuis deux siècles, analysant aussi bien les discours internes que les regards des collectionneurs du siècle passé ou des visiteurs les plus prestigieux, premiers historiens des musées de province.
The Académie Royale de Peinture et de Sculpture
The Académie Royale de Peinture et de Sculpture (French Academy of Painting and Sculpture)—perhaps the single most influential art institution in history—governed the arts in France for more than 150 years, from its founding in 1648 until its abolition in 1793. Christian Michel's sweeping study presents an authoritative, in-depth analysis of the Académie’s history and legacy. The Académie Royale assembled nearly all of the important French artists working at the time, maintained a virtual monopoly on teaching and exhibitions, enjoyed a priority in obtaining royal commissions, and deeply influenced the artistic landscape in France. Yet the institution remains little understood today:...
