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Transactions of the Royal Historical Society: Volume 14
The Transactions of the Royal Historical Society publish an annual collection of major articles representing some of the best historical research by some of the world's most distinguished historians.
Perspectives on Hamlet
Prefaces literary, psychological, and theatrical studies of Shakespeare's celebrated tragedy with a discussion of its sources and evolution.
The Norse Hamlet
Shakespeare's "Hamlet" is not a wholly original story, but is the greatest retelling of the legend of Amleth, recorded by the Danish historian Saxo Grammaticus four centuries before Shakespeare. Saxo's tale is a highly entertaining adventure in its own right and provides insights into the creative processes by which the old, pagan legend evolved to strike fire in the Christian age of Elizabethan theater. This accurate new translation of "The Revenge of Amleth" by Soren Filipski gives a complete selection of the Amleth legend, including Amleth's often-omitted adventures in Britain. Filipski also provides an historical introduction that traces Saxo's influence on Shakespeare's contemporaries, with exhaustive citations of every Elizabethan reference to earlier versions of "Hamlet." Also included is the full text of Francois de Belleforest's "Hystorie of Hamblet," an influential pre-Shakespearean adaptation of the same story.
Moralizing the Italian Marvellous in Early Modern England
This volume breaks new ground in the exploration of Anglo-Italian cultural relations: it presents analyses of a wide range of early modern Italian texts adapted into contemporary English culture, often through intermediary French translations. When transposed into English, their Italian origin was frequently categorized as marvellous and consequently censured because of its strangeness: thus, English translators often gave their public a moralized and tamed version of Italy’s uniqueness. This volume’s contributors show that an effective way of moralizing Italian custom was to exoticize its origins, in order to protect the English public from an Italianate influence. This ubiquitous moralization is visible in the evolution of the concept of tragedy, and in the overtly educational aim acquired by the Italian novella, adapted for an allegedly female audience. Through the analysis of various literary genres (novella, epic poem, play, essay), the volume focuses on the mechanisms of appropriation and rejection of Italian culture through imported topoi and narremes.
Hamlet's Moment
Although we take for granted that drama was crucial to the political culture of Renaissance England, we rarely consider one of its most basic functions, namely, that it helped large audiences to understand what politics was. This book suggests that in this moment before newspapers, drama as a form of popular entertainment familiarized its audience with the profession of politics, with kinds of knowledge that were necessary for survival and advancement in politicalcareers. Shakespeare's Hamlet is particularly interested in these issues: in the coming and going of ambassadors, and in the question of the succession and of the conflict with Norway. Plays writtenby Ben Jonson, John Marston, George Chapman, and others in the following years shared a similar focus, inviting the public to imagine what it meant to have a political career. In doing so, they turned politics into a topic of sociable conversation, which people could use to impress others.
Networked Nation
In Networked Nation: Mapping German Cities in Sebastian Münster’s 'Cosmographia', Jasper van Putten examines the groundbreaking woodcut city views in the German humanist Sebastian Münster’s Cosmographia. This description of the world, published in Basel from 1544 to 1628, glorified the Holy Roman Empire of the German Nation and engendered the city book genre. Van Putten argues that Münster’s network of city view makers and contributors—from German princes and artists to Swiss woodcutters, draftsmen, and printers—expressed their local and national cultural identities in the views. The Cosmographia, and the city books it inspired, offer insights into the development of German and Swiss identity from 1550 to Switzerland’s independence from the empire in 1648.
