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Seattle Public Sculptors
From Seattle's earliest days as a Gold Rush boomtown to its celebration of the future during the 1962 World's Fair, local artists have created public art installations--statuary, reliefs and other sculpture--that have become familiar features of the city's landscape. This comprehensive study of 12 Seattle sculptors and their works examines the motivations of the artists and their benefactors, the development of the city's public art policy, and the political forces behind the pieces that are now part of the city's rich history. Biographical details and historical perspective are provided for such artists as Lorado Taft, Alice Robertson Carr, John Carl Ely, Max P. Nielsen, August Werner and James FitzGerald.
The First Sculptor of Seattle
Whether you're interested in art history, Native American culture, or the past lives of the city of Seattle, you'll want to know more about early twentieth-century sculptor James A. Wehn. Encouraged to create art during one of his frequent periods of illness as a youth, he was introduced to his first mentor, painter Rowena Nichols Leinss, in 1895. In 1905, at twenty-three, he started his first studio-distinguishing him as Seattle's "First Sculptor." Native Americans intrigued Wehn from an early age, so it's no surprise that his first completed bust was of Princess Angeline, the daughter of Chief Seattle. A few years later, he was commissioned to create his first public art piece: a statue ho...
Mercury
Offers an authoritative synthesis of knowledge of the planet Mercury after the MESSENGER mission, for researchers and students in planetary science.
License to Parent
"If Mr. and Mrs. Smith had kids and wrote a parenting book, this is what you'd get: a practical guide for how to utilize key spy tactics to teach kids important life skills--from self-defense to effective communication to conflict resolution." --Working Mother Christina was a single, successful CIA analyst with a burgeoning career in espionage when she met fellow spy, Ryan, a hotshot field operative who turned her world upside down. They fell in love, married, and soon they were raising three children from his first marriage, and later, two more of their own. Christina knew right away that there was something special about the way Ryan was parenting his kids, although she had to admit their ...
Evocative Autoethnography
This comprehensive text is the first to introduce evocative autoethnography as a methodology and a way of life in the human sciences. Using numerous examples from their work and others, world-renowned scholars Arthur Bochner and Carolyn Ellis, originators of the method, emphasize how to connect intellectually and emotionally to the lives of readers throughout the challenging process of representing lived experiences. Written as the story of a fictional workshop, based on many similar sessions led by the authors, it incorporates group discussions, common questions, and workshop handouts. The book: describes the history, development, and purposes of evocative storytelling; provides detailed instruction on becoming a story-writer and living a writing life; examines fundamental ethical issues, dilemmas, and responsibilities; illustrates ways ethnography intersects with autoethnography; calls attention to how truth and memory figure into the works and lives of evocative autoethnographers.
The Spectator
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