Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
We Fight Fascists
The “inspiring,” little-known history of the Jewish vigilantes of the 43 Group, who fought fascism in Britain following World War II (Guardian). Returning to civilian life, at the close of the Second World War, a group of Jewish veterans discovered that, for all their effort and sacrifice, their fight was not yet done. Creeping back onto the streets were Britain’s homegrown fascists, directed from the shadows by Sir Oswald Mosley. Horrified that the authorities refused to act, forty-three Jewish ex-servicemen and women resolved to take matters into their own hands. In 1946, they founded the 43 Group and let it be known that they were willing to stop the far-right resurgence by any mean...
J. Arthur Rank and the British Film Industry
Presiding over the "golden era" of the British Film Industry from the mid to late 1940s, J. Arthur Rank financed movies such as Oliver Twist, The Red Shoes, Brief Encounter, Caesar and Cleopatra and Black Narcissus. Never before, and never since, has the industry risen to such heights. J. Arthur Rank charts every aspect of the robust film culture that Rank helped to create. Having started out with relatively little knowledge of the cinema, Rank's sponsorship was to bring about astounding progress within the industry, and by establishing an organization comparable in size to any of the major Hollywood studios, Rank briefly managed to reconcile and consolidate the competing demands of "art" and "business" - an achievement very much absent from today's diminished and fragmented film industry. Macnab goes on to explain the eventual collapse of the Rank experiment amidst the economic and political maelstrom of post-war Britain, highlighting the problems still facing the industry today. By meshing archival research with interviews with Rank's contemporaries and members of his family, this definitive study firmly restores Rank to his rightful place at the hub of British film history.
Anti-Fascism in Britain
Anti-fascism has long been one of the most active and dynamic areas of radical protest and direct action. Yet it is an area of struggle and popular resistance that remains largely unexplored by historians, sociologists and political scientists. Fully revised and updated from its earlier edition, this book continues to provide the definitive account of anti-fascism in Britain from its roots in the 1930s opposition to Oswald Mosley and the British Union of Fascists, to the street demonstrations and online campaigns of the twenty-first century. The author draws on an impressive range of sources including official government, police and security services records, the writings and recollections of activists themselves, and the publications and propaganda of anti-fascist groups and their opponents. The book traces the ideological, tactical and organisational evolution of anti-fascist groups and explores their often complicated relationships with the mainstream and radical left, as well as assessing their effectiveness in combating the extreme right.
In Black And White
WINNER OF THE 2002 WILLIAM HILL SPORTS BOOK OF THE YEAR PRIZE. In 1936 athlete Jesse Owens won four gold medals at the Berlin Olympics and, two years later, boxer Joe Louis won a crushing victory to become heavyweight champion of the world. Despite their fame and success, both men would find themselves barred from certain hotels and would have to eat outside restaurants because of the colour of their skin. However. by their example, they gave hope to millions of black people around the world as they became the first black superstars. Donald McRae's award-winning dual biography is a brilliant portrait of the two men, who became close friends despite their very different career paths: within days of Olympic glory, Owens was banned from competing again, and was forced to spend his days racing against horses to earn a living before becoming a spokesman for the sporting ideal. Meanwhile Louis won and lost a fortune, eventually battling with drug addiction and mental illness. McRae's vivid account of their lives away from the public eye, and the era in which they lived, is compelling and tragic.
Hollywood's Overseas Campaign
Hollywood's Overseas Campaign: The North Atlantic Movie Trade, 1920-1950 examines how Hollywood movies became one of the most successful U.S. exports, a phenomenon that began during World War I. Focusing on Canada, the market closest to the United States, on Great Britain, the biggest market, and on the U.S. movie industry itself, Ian Jarvie documents how fear of this mass medium's impact and covetousness toward its profits motivated many nations to resist the cultural invasion and economic drain that Hollywood movies represented.
Multiculturalism and the Mouse
In his latest iconoclastic work, Douglas Brode—the only academic author/scholar who dares to defend Disney entertainment—argues that "Uncle Walt's" output of films, television shows, theme parks, and spin-off items promoted diversity decades before such a concept gained popular currency in the 1990s. Fully understood, It's a Small World—one of the most popular attractions at the Disney theme parks—encapsulates Disney's prophetic vision of an appealingly varied world, each race respecting the uniqueness of all the others while simultaneously celebrating a common human core. In this pioneering volume, Brode makes a compelling case that Disney's consistently positive presentation of "di...
British Antifascism and the Holocaust, 1945–79
British Antifascism and the Holocaust, 1945–79 explores the extent to which the Holocaust has shaped British antifascism. The author tests assertions of an uncomplicated relationship between Holocaust memory and the imperative to resist postwar fascist revivals. For those with a scholarly interest in how antifascists confront their opponents, it is essential to understand whether the Holocaust has always been seen as an insurmountable barrier against fascism: is the idea of the genocide’s constant antifascist ‘use’ actually a dangerous assumption and, if so, what are the implications of this for ‘Antifa’ as its battle with the contemporary far right unfolds? This book provides a ...
Nights Out
London's Soho district underwent a spectacular transformation between the late Victorian era and the end of the Second World War: its old buildings and dark streets infamous for sex, crime, political disloyalty, and ethnic diversity became a center of culinary and cultural tourism servicing patrons of nearby shops and theaters. Indulgences for the privileged and the upwardly mobile edged a dangerous, transgressive space imagined to be "outside" the nation. Treating Soho as exceptional, but also representative of London's urban transformation, Judith Walkowitz shows how the area's foreignness and porousness were key to the explosion of culture and development of modernity in the first half of the twentieth century. She draws on a vast and unusual range of sources to stitch together a rich patchwork quilt of vivid stories and unforgettable characters, revealing how Soho became a showcase for a new cosmopolitan identity.
Primo Carnera
At over six and a half feet tall and nearly 300 pounds, heavyweight champion Primo Carnera was a giant for his times, but today "the Ambling Alp" is too often written off as an unskilled oaf and a product of the mob dealings that plagued boxing during the 1930s. He may not have been a natural in the ring, but he worked as hard as any boxer to learn his craft, to be in top condition, and he repeatedly showed that he was tougher than nails. This biography details Carnera's early life and boxing career, his success as a fighter as well as accusations of fight fixing, his strengths and limitations in the ring, and his later career as a wrestler.
