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Published in 1863, this vivid account documents the traditional Maori way of life that was vanishing due to European influences.
In Mana: A History of a Western Category Nicolas Meylan proposes a critical account of Western imaginations of mana, a word belonging originally to Oceanic languages but borrowed by European languages in which it acquired the meaning ‘supernatural power.’ While mana is best known for its tenure in the disciplines studying religion, Nicolas Meylan situates such academic uses in a wider context, analyzing the ways Westerners conceptualized mana in the earlier colonial context as well as its mobilizations in the late 20th and early 21st centuries by (video)game designers and Neo-Pagan witches. This focus on various Western uses of mana allows for the critical investigation of the ways power has been mystified in conjunction with religion.
In Old New Zealand (1863), F.E. Maning recalls living alongside Maori in "the good old times before Governors were invented, and law, and justice, and all that." His account of the early contact period is widely acknowledged to be a masterpiece of some sort, but the extent to which it is fiction, autobiography, ethnography, history, or satire remains a matter for debate. This is the first scholarly edition of Maning's writings. It includes a revealing selection of Maning's unpublished letters, and Alex Calder contributes an introduction and notes that illuminate the works' historical, ethnographic, and literary contexts, showing how settler colonialism is an incomplete and contested process, the problems of which are enacted in Maning's writings, and repeated in the history of their reception.
STATE OF GRACE Money makes the world go round - that's what twenty-something Grace Reeves is learning. Stuck in a grind where everyone's ahead apart from her, she's partied out, disillusioned, and massively in debt. If she's dumped by another rock-band wannabe, squashed by anyone else at her cut-throat fashion job, or chased by any more bailiffs, Grace suspects she'll fall apart... GRACE UNDER PRESSURE So when older, sexy and above all, wealthy art-dealer Vaughn appears, she's intrigued against her will. Could she handle being a sugar daddy's arm-candy? SAVING GRACE Soon Grace is thrown into a world of money and privilege, at Vaughn's beck and call in return for thousands of pounds in luxurious gifts, priceless clothes - and cash. She's out of her depth. Where's the line between acting the trophy girlfriend, and selling yourself for money? And, more importantly, whatever happened to love?
In this wide-ranging and probing book Erin Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture. The minor gesture, although it may pass almost unperceived, transforms the field of relations. More than a chance variation, less than a volition, it requires rethinking common assumptions about human agency and political action. To embrace the minor gesture's power to fashion relations, its capacity to open new modes of experience and manners of expression, is to challenge the ways in which the neurotypical image of the human devalues alternative ways of being moved by and moving through the world—in particular what Manning terms "autistic perception." Drawing on Deleuze and Guattari's schizoanalysis and Whitehead's speculative pragmatism, Manning's far-reaching analyses range from fashion to depression to the writings of autistics, in each case affirming the neurodiversity of the minor and the alternative politics it gestures toward.
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Hailed by Eliot, Pound, Lawrence and Hemingway, and based on the author’s own experiences, The Middle Parts of Fortune is a breathtaking account of the Great War and the men who fought it.
Marshall Sahlins centers these essays on islands—Hawaii, Fiji, New Zealand—whose histories have intersected with European history. But he is also concerned with the insular thinking in Western scholarship that creates false dichotomies between past and present, between structure and event, between the individual and society. Sahlins's provocative reflections form a powerful critique of Western history and anthropology.