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In Colours and Contrast Clarence Eng covers the social history of architectural ceramics in China, their development both aesthetically (as ornament) and technically (as durable, protective components) in ancient Chinese architecture from palaces and temples to pagodas and screen walls.
"Coming into being, the work of art, this very pot, creates relations--relations between nature and culture, between the individual and society, between utility and beauty. Governed by desire, the artist's work answers questions of value. Is nature favored, or culture? Are individual needs or social needs more important? Do utilitarian or aesthetic concerns dominate in the transformation of nature?" --from the Introduction The Potter's Art discusses and illustrates the work of modern masters of traditional ceramics from Bangladesh, Sweden, various parts of the United States, Turkey, and Japan. It will appeal to anyone interested in pottery and the study of folklore and folk art. Henry Glassi...
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Material culture records human intrusion in the environment. It is the way we imagine a distinction between nature and culture, and then rebuild nature to our own desire, by shaping, reshaping, and arranging things during our lifetimes. We live in material culture, depend upon it, take it for granted, and realize through it our grandest aspirations.
"Chinese ceramics are among the most widely admired and collected in the world. From elegant Song celadons to decorative Ming vases and colorful Qing famille rose, ceramics produced in China have influenced taste and daily life globally. This new design history draws on the V&A’s comprehensive collection to look at the production, consumption, aesthetics, and transfer of Chinese ceramics. Stunning new photography illustrates more than 200 pieces, including previously unpublished objects. It also explores ceramics made in the twentieth and twenty-first centuries, from Republic period porcelain to propaganda ware and studio pottery, a first for any survey history of the subject."--Publisher's description.
Have tou ever wondered why a Chinese vase is decorated with penoy blossoms? Or peaches? These auspicious symbols often represent hidden wishes for happy marriage, prosperity, long life, peace, and more. Learn about these symbols and others as revealed through Ming and Qing dynasty porcelains and jades in this unique exhibition. You will see more than 140 exquisite artworks-many of which were made for the Chinese imperial courts-that shed light on the time-honored tradition of auspicious symbolism in Chinese culture. Hidden Meanings in Chinese Art brings a systematic in Chinese culture.