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Prologue: a rendez-vous -- The cook -- Writer and author -- Origin and early development of modern cookbooks -- Printed cookbooks: diffusion, translation, and plagiarism -- Organizing the cookbook -- Naming the recipes -- Pedagogical and didactic aspects -- Paratexts in cookbooks -- The recipe form -- The cookbook genre -- Cookbooks for rich and poor -- Health and medicine in cookbooks -- Recipes for fat and lean days -- Vegetarian cookbooks -- Jewish cookbooks -- Cookbooks and aspects of nationalism -- Decoration, illusion, and entertainment -- Taste and pleasure -- Gender in cookbooks and household books -- Epilogue: cookbooks and the future.
Klemens von Klemperer's scholarly and detailed study uncovers the beliefs and activities of numerous individuals who fought against Nazism within Germany, and traces their many efforts to forge alliances with Hitler's opponents outside the Third Reich. -;Klemens von Klemperer's scholarly and detailed study uncovers the beliefs and activities of numerous individuals who fought against Nazism within Germany, and traces their many efforts to forge alliances with Hitler's opponents outside the Third Reich. Measured by conventional standards of diplomacy, the foreign ventures of the German Resistance ended in failure. The Allied agencies, notably the British Foreign Office and the US State Depart...
Christoph Kimmich’s German Foreign Policy, 1918-1945: A Guide to Current Research and Resources is the most comprehensive guide to archival resources and published materials on the foreign policy of Weimar and Nazi Germany. It lists the archives, libraries, and research institutes, public and private, that hold important collections. While Kimmich’s survey emphasizes archives in Germany, it also covers archives in Europe and in the United States, describing their holdings, terms of access and use, and the guides and inventories available. German Foreign Policy, 1918-1945 also includes a substantial bibliography of published sources, from documentary series to significant contemporary acc...
An exciting and important study of genocide.
Relates the fictional adventures of Nesthäkchen, a young German girl, during the first World War.
When the German Wehrmacht swarmed across Eastern Europe, an elite corps followed close at its heels. Along with the SS and Gestapo, the Ordnungspolizei, or Uniformed Police, played a central role in Nazi genocide that until now has been generally neglected by historians of the war. Beginning with the invasion of Poland, the Uniformed Police were charged with following the army to curb resistance, pacify the countryside, patrol Jewish ghettos, and generally maintain order in the conquered territories. Edward Westermann examines how this force emerged as a primary instrument of annihilation, responsible for the murder of hundreds of thousands of the Third Reich's political and racial enemies. ...
"A book of landmark importance. It is unprecedented in its design: a brilliantly selected group of essays on music coupled with lucid, deeply incisive, and in every way masterly analysis of Adorno's thinking about music. No one who studies Adorno and music will be able to dispense with it; and if they can afford only one book on Adorno and music, this will be the one. For in miniature, it contains everything one needs: a collection of exceptionally important writings on all the principal aspects of music and musical life with which Adorno dealt; totally reliable scholarship; and powerfully illuminating commentary that will help readers at all levels read and re-read the essays in question."â...
Volume VII of the 'Germany and the Second World War' series looks at Germany and her Japanese ally on the defensive after the tide of war turned in 1943. An exhaustive study of the air war over the Reich and the Luftwaffe's growing impotence is followed by an account of the invasion of occupied France and the Allies' advance to Germany's borders. A final section examines Japan's defeat and capitulation, and the creation of a new order in the Far East.
Parsifal, Wagner's final opera, is considered by many to be one of the greatest religious musical works ever composed; but it is also one of the most difficult to understand and many have questioned whether it can be considered a "Christian" work at all. Added to this is the furious debate that has surrounded the composer as an anti-Semite, racist, and inspiration for Hitler. Richard Bell addresses such issues and argues that despite any personal failings Wagner makes a fundamental theological contribution through his many writings and ultimately in Parsifal which, he argues, preaches Christ crucified in a way that can never be captured by words alone. He argues that Wagner offers a vision of the divine and a "theology of Good Friday" that can both function as profound therapy and address current theological controversies.