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Conversations-Lexicon Fur Bildende Kunst
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Who Killed the Great Auk?
"Who Killed the Great Auk? takes us on a tour of some of the wildest and most remote communities on earth. We travel with Audubon to Labrador, sail to the remote Scottish island of St. Kilda, experience the hardship of life in the Newfoundland colonies, and follow the peregrinations of intrepid naturalists as they put to sea in search of the very last of the Great Auks."--Jacket.
Adolph Menzel
The work of Adolph Menzel (1815–1905) is widely regarded as the epitome of realist art. From the very beginning of his career, he captured the beauty and horror of reality with unflinching precision, and he was a consummate master of atmosphere. A man of very short stature, Menzel was excluded from many aspects of life, and so his struggle with reality was also a struggle to assert himself. Werner Busch’s comprehensive new study sheds light on the biographical and historical events that shaped Menzel’s work and the course it took. Menzel’s paintings of the life of Frederick the Great still dominate our image of the monarch. Their modern perspective, however, neither glorified the king nor found favor with the Prussian royal family. After witnessing the horror of war in the aftermath of the Battle of Königgrätz, Menzel abandoned history painting. In Paris, he discovered the energy and bustle of the heroless metropolis; for the remainder of his career, he devoted himself to painting scenes of contemporary life. In this lavishly illustrated book, Busch examines the artist’s multifaceted oeuvre and brings the long nineteenth century into aesthetic focus.
Zoologist
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The zoologist
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Iceland
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Proceedings of the Academy of Natural Sciences of Philadelphia
"Publications of the Academy of Natural Sciences of Philadelphia": v. 53, 1901, p. 788-794.
