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Billie’s Bent Elbow
Deeply informed by jazz, Billie's Bent Elbow explores the nonsensical and nonsensuous in black radical thought and expression. Extending the encounter between black study, Frankfurt School critical theory, and sound studies staged in her first book Jazz as Critique, and, crucially, bringing Yoruba aesthetics into the conversation, Okiji attunes to various sites of intemperance and equivocation in thought and music. Billie's Bent Elbow eschews the parsimonious tendencies of the Western philosophical tradition, in its contribution to a shared project of improvised correspondence that finds its criticality in its heterophony of approach and intention. The book ranges from Haitian revolutionarie...
Jazz As Critique
This “lucidly argued, historically grounded . . . and timely book” reexamines the relationship between black cultures, jazz music, and critical theory (Alexander G. Weheliye, Northwestern University). A sustained engagement with the work of Theodor Adorno, Jazz As Critique looks to jazz for ways of understanding the inadequacies of contemporary life. While Adorno's writings on jazz are notoriously dismissive, he has faith in the critical potential of some musical traditions. Music, he suggests, can provide insight into the controlling, destructive nature of modern society while offering a glimpse of more empathetic and less violent ways of being together in the world. Taking Adorno down a new path, Okiji calls attention to an alternative sociality made manifest in jazz. In response to writing that tends to portray it as a mirror of American individualism and democracy, she makes the case for jazz as a model of “gathering in difference.” Noting that this mode of subjectivity emerged in response to the distinctive history of black America, she reveals that the music cannot but call the integrity of the world into question.
Organic Music Societies
Avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry (née Karlsson) met in Sweden in the late sixties. They began to live and perform together, dubbing their mix of communal art, social and environmentalist activism, children's education, and pan-ethnic expression Organic Music. Organic Music Societies, Blank Forms' sixth anthology, is a special issue released in conjunction with an exhibition of the same name devoted to the couple's multimedia collaborations. The first English-language publication on either figure, the book highlights models for collectivism and pedagogy deployed in the Cherrys' interpersonal and artistic work through the presentation of archival documents ...
The Routledge Companion to Performance Philosophy
The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical essays, conversations, collaborative, creative and performative writing mapping the key contexts, debates, methods, discourses and practices in this developing field. Firstly, the collection offers new insights on the fundamental question of how thinking happens: where, when, how and by whom philosophy is performed. Secondly, it provides a plurality of new accounts of performance and performativity – as the production of ideas, bodies and knowledges – in the arts and beyond. Comprising texts written by international artists, philosophers and scholars from multiple disciplines, the essays eng...
Illiberal Arts
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A Time for Critique
In a world of political upheaval, rising inequality, catastrophic climate change, and widespread doubt of even the most authoritative sources of information, is there a place for critique? This book calls for a systematic reappraisal of critical thinking—its assumptions, its practices, its genealogy, its predicament—following the principle that critique can only start with self-critique. In A Time for Critique, Didier Fassin, Bernard E. Harcourt, and a group of eminent political theorists, anthropologists, sociologists, philosophers, and literary and legal scholars reflect on the multiplying contexts and forms of critical discourse and on the social actors and social movements engaged in...
Recognition and Ambivalence
Recognition is one of the most debated concepts in contemporary social and political thought. Its proponents, such as Axel Honneth, hold that to be recognized by others is a basic human need that is central to forming an identity, and the denial of recognition deprives individuals and communities of something essential for their flourishing. Yet critics including Judith Butler have questioned whether recognition is implicated in structures of domination, arguing that the desire to be recognized can motivative individuals to accept their assigned place in the social order by conforming to oppressive norms or obeying repressive institutions. Is there a way to break this impasse? Recognition an...
Fear of Breakdown
What is behind the upsurge of virulent nationalism and intransigent politics across the globe today? In Fear of Breakdown, Noëlle McAfee uses psychoanalytic theory to explore the subterranean anxieties behind current crises and the ways in which democratic practices can help work through seemingly intractable political conflicts. Working at the intersection of psyche and society, McAfee draws on psychoanalyst D. W. Winnicott’s concept of the fear of breakdown to show how hypernationalism stems from unconscious anxieties over the origins of personal and social identities, giving rise to temptations to reify exclusionary phantasies of national origins. Fear of Breakdown contends that politi...
Toward a Materialist Conception of Music History
This book argues for the relevance, appropriateness, and usefulness of historical materialism to the musicological project. It interrogates the history of encounters between Marxism and music studies — both within and without the Soviet sphere — before staging the missed encounter between classical musicology and Second International Marxism. It concludes with a framework for understanding style history in terms of changes in the forces and relations of musical production.
