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The most important aspect of the Joan Miró Foundation’s collections is without doubt its valuable stock of works consisting in over 14,000 items. Most of this collection was donated to the Foundation by Joan Miró himself. Other pieces have come from the collections owned by Pilar Juncosa,the artist’s wife,and Joan Prats,his close friend and the driving force behind the idea of setting up the Foundation. The Foundation has a large collection of paintings from all the different periods of Miró’s life.The works exhibited show the development of his art from his training in Barcelona and first contacts with the avant-gardes in the early twentieth century,the time spent in Paris and his links with the Surrealists. Miró’s art in the last years of his life was mainly expressed in large-format paintings and denotes a deeper interest in pure colour and in gesture,but without abandoning his lyricism and compositional rigour.It is precisely this period that is most widely represented here,since he donated to the Foundation the works that were in his studio when it was set up. This guidebook is the main tool to achieve to the highlights of the Foundation’s collections.
Published on the occasion of an exhibition at the Fundaciâo Joan Mirâo, February 15-may 19, 2019.
Om Joan Mirós værker i Fundació Joan Miró, Barcelona
Lee Miller (1907-1977) moved to London in the late 1930s, just as a rich strand of Surrealist practice was burgeoning in Britain. Miller was central to its development and prolonged life after World War II, exhibiting alongside British Surrealists such as Eileen Agar and Henry Moore in often overlooked London exhibitions. This book is the first to present Lee Miller's photographs of, and collaborations with key British Surrealists alongside their artworks, to tell the story of this exciting cultural moment. Miller's photographs of noted continental Surrealists such as Max Ernst and E.L.T Mesens, taken while they were working and exhibiting in Britain, also feature alongside their works, docu...
Modernism.
"My dream was to have a very large atelier whenever I would be able to settle somewhere...". Twenty years later, in 1956 Miro finally settled into a large white atelier in Palma de Mallorca where he worked unrelentingly until his death in 1985. In this book,the photographs of Jean-Marie del Moral re-create the poetic universe of the grand atelier, crowded with the objets trouves and household items that fited Miro's imagination. Juan Teodoro Punyet Miro recalls his grandfather, the old man with large blue eyes, who taught him as a child to listen to silence. 60 illustrations
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Sculptor Alexander Calder (1898-1976) and painter Joan Miró (1893-1983) became lifelong friends after their first meeting in Paris in 1928. This book and the exhibition it accompanies are about their extraordinary friendship and the early years of their careers. Calder and Miró shared many artistic interests, and the book is organized around common themes such as the circus, bestiary, universe, and constellations. The artists shared an ambition to create monumental works for public spaces and, while waiting for those opportunities, achieved monumentality on a reduced scale. Miró's small Constellations evoke the tradition of Romanesque frescoes, while Calder's earliest stabiles and mobiles...
Published on the occasion of an held at Tate Modern, London, Apr. 14-Sept. 11, 2011, Fundacio Joan Miro, Barcelona, Oct. 13, 2011-Mar. 25, 2012, and at the National Gallery of Art, Washington, D.C., May 6-Aug. 12, 2012.
Forty important lithographic prints with line and composition comparable to the works of Miro's friend Picasso. Eerie, droll, technically brilliant, and aggressive.