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The most important aspect of the Joan Miró Foundation’s collections is without doubt its valuable stock of works consisting in over 14,000 items. Most of this collection was donated to the Foundation by Joan Miró himself. Other pieces have come from the collections owned by Pilar Juncosa,the artist’s wife,and Joan Prats,his close friend and the driving force behind the idea of setting up the Foundation. The Foundation has a large collection of paintings from all the different periods of Miró’s life.The works exhibited show the development of his art from his training in Barcelona and first contacts with the avant-gardes in the early twentieth century,the time spent in Paris and his links with the Surrealists. Miró’s art in the last years of his life was mainly expressed in large-format paintings and denotes a deeper interest in pure colour and in gesture,but without abandoning his lyricism and compositional rigour.It is precisely this period that is most widely represented here,since he donated to the Foundation the works that were in his studio when it was set up. This guidebook is the main tool to achieve to the highlights of the Foundation’s collections.
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The most important aspect of the Joan Miró Foundation’s collections is without doubt its valuable stock of works consisting in over 14,000 items. Most of this collection was donated to the Foundation by Joan Miró himself. Other pieces have come from the collections owned by Pilar Juncosa,the artist’s wife,and Joan Prats,his close friend and the driving force behind the idea of setting up the Foundation. The Foundation has a large collection of paintings from all the different periods of Miró’s life.The works exhibited show the development of his art from his training in Barcelona and first contacts with the avant-gardes in the early twentieth century,the time spent in Paris and his links with the Surrealists. Miró’s art in the last years of his life was mainly expressed in large-format paintings and denotes a deeper interest in pure colour and in gesture,but without abandoning his lyricism and compositional rigour.It is precisely this period that is most widely represented here,since he donated to the Foundation the works that were in his studio when it was set up. This guidebook is the main tool to achieve to the highlights of the Foundation’s collections.
El aspecto más importante de las colecciones que alberga la Fundación Miró es, sin lugar a dudas, la cantidad de obras que aloja, más de 14.000. En su mayor parte fueron donadas a la Fundación por el propio Joan Miró. El resto de piezas proviene de colecciones que eran propiedad de Pilar Juncosa, la esposa del artista, y de Joan Prats, su amigo personal y también la persona que tuvo la idea de poner en marcha la Fundación. La Fundación posee una amplia colección de pinturas de todos los períodos de la vida de Miró. Los trabajos que se exponen muestran el desarrollo de su arte: desde su aprendizaje en Barcelona y sus primeros contactos con las vanguardias a principios del siglo XX...
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The most important aspect of the Joan Miró Foundation’s collections is without doubt its valuable stock of works consisting in over 14,000 items. Most of this collection was donated to the Foundation by Joan Miró himself. Other pieces have come from the collections owned by Pilar Juncosa,the artist’s wife,and Joan Prats,his close friend and the driving force behind the idea of setting up the Foundation. The Foundation has a large collection of paintings from all the different periods of Miró’s life.The works exhibited show the development of his art from his training in Barcelona and first contacts with the avant-gardes in the early twentieth century,the time spent in Paris and his links with the Surrealists. Miró’s art in the last years of his life was mainly expressed in large-format paintings and denotes a deeper interest in pure colour and in gesture,but without abandoning his lyricism and compositional rigour.It is precisely this period that is most widely represented here,since he donated to the Foundation the works that were in his studio when it was set up. This guidebook is the main tool to achieve to the highlights of the Foundation’s collections.
El aspecto más importante de las colecciones que alberga la Fundación Miró es, sin lugar a dudas, la cantidad de obras que aloja, más de 14.000. En su mayor parte fueron donadas a la Fundación por el propio Joan Miró. El resto de piezas proviene de colecciones que eran propiedad de Pilar Juncosa, la esposa del artista, y de Joan Prats, su amigo personal y también la persona que tuvo la idea de poner en marcha la Fundación. La Fundación posee una amplia colección de pinturas de todos los períodos de la vida de Miró. Los trabajos que se exponen muestran el desarrollo de su arte: desde su aprendizaje en Barcelona y sus primeros contactos con las vanguardias a principios del siglo XX...
The most important aspect of the Joan Miró Foundation’s collections is without doubt its valuable stock of works consisting in over 14,000 items. Most of this collection was donated to the Foundation by Joan Miró himself. Other pieces have come from the collections owned by Pilar Juncosa,the artist’s wife,and Joan Prats,his close friend and the driving force behind the idea of setting up the Foundation. The Foundation has a large collection of paintings from all the different periods of Miró’s life.The works exhibited show the development of his art from his training in Barcelona and first contacts with the avant-gardes in the early twentieth century,the time spent in Paris and his links with the Surrealists. Miró’s art in the last years of his life was mainly expressed in large-format paintings and denotes a deeper interest in pure colour and in gesture,but without abandoning his lyricism and compositional rigour.It is precisely this period that is most widely represented here,since he donated to the Foundation the works that were in his studio when it was set up. This guidebook is the main tool to achieve to the highlights of the Foundation’s collections.
Els arxius de poesia experimental són imprescindibles per conèixer una part molt important de la creació del segle XX, sovint marginada per la crítica i l’acadèmia, i absent en els currículums de l’educació obligatòria. Aquest llibre recull els punts de vista tant dels productors dels arxius com dels responsables dels centres que els acullen, amb l’objectiu de fomentar el diàleg, conèixer els fons per impulsar la creativitat i traçar línies renovadores de futur.