You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Füsun Onur ist eine der bedeutendsten Künstlerinnen der Türkei. 2022 hat sie den Türkischen Pavillon auf der Biennale von Venedig bespielt. Zwar ist ihr beeindruckendes und vielseitiges Werk durch regelmäßige Beteiligungen an Gruppenausstellungen einem internationalen Publikum kontinuierlich zugänglich gewesen, hat aber bislang keine ausreichende Würdigung erfahren. Der Katalog zur Retrospektive stellt Arbeiten aus den 1960er Jahren bis heute vor. Text: Merve Yesilada Çaglar, Yilmaz Dziewior, Barbara Engelbach und Emre Baykal, Süreyyya Evren, Füsun Onur, Nilüfer Sasmazer.
Contemporary art exhibitions appeal to cognition as well as the senses, modeling a new and expansive understanding of global aesthetics. In this original work of aesthetic theory, James Voorhies argues that we live in the shadow of old ways of thinking about art that emphasize the immediate visual experience of an autonomous art object. But theory must change as artistic and curatorial production has changed. It should encompass the full range of activities through which we encounter art and exhibitions, in which reading and thinking are central to the aesthetic experience. Voorhies advances the theoretical framework of a “postsensual aesthetics,” which does not mean we are beyond a sens...
Ayse Güngör investigates art practices between art and anthropology in Turkey, as well as the implications of contemporary art for those disciplines. She discusses various approaches based on anthropological theories on the forms of relation and theories of artistic practices on socio-political issues. Based on long-term research with contemporary artists such as Nil Yalter, Gülsün Karamustafa, Esra Ersen, Kutlug Ataman, Tayfun Serttas, Köken Ergun, Dilek Winchester and Artikisler Collective, this book analyzes the objectives of art and anthropology in order to determine new possibilities and divergences arising from this interdisciplinary confluence.
Original essays offering fresh ideas and global perspectives on contemporary feminist art The term ‘feminist art’ is often misused when viewed as a codification within the discipline of Art History—a codification that includes restrictive definitions of geography, chronology, style, materials, influence, and other definitions inherent to Art Historical and museological classifications. Employing a different approach, A Companion to Feminist Art defines ‘art’ as a dynamic set of material and theoretical practices in the realm of culture, and ‘feminism’ as an equally dynamic set of activist and theoretical practices in the realm of politics. Feminist art, therefore, is not a simp...
The revised and extended BMW Art Guide by Independent Collectors presents 304 private collections of contemporary art accessible to the public—featuring large and small, famous and the relatively unknown. Succinct portraits of the collections with countless color illustrations take the reader to 51 countries, often to regions or urban districts that are off-the-beaten-path. This practical guide is a collaborative publication stemming from the partnership between BMW and Independent Collectors, the international online platform for collectors of contemporary art. To date, neither the Internet nor any book has ever contained a comparable assembly of international private collections, including several that have opened their doors to art lovers and connoisseurs for the first time.
In A Social History of the Late Ottoman Women, Duygu Köksal and Anastasia Falierou bring together new research on women of different geographies and communities of the late Ottoman Empire focusing particularly on the ways in which women gained power and exercised agency.
Since the end of the 1980 coup d’état Turkey has been in the midst of a complex process of democratization. Applying methodological pluralism in order to provide a comprehensive analysis of this process in a Turkish context, this book brings together contributions from prominent, Turkish, English, French, and Spanish scholars. Turkey’s Democratization Process utilises the theoretical framework of J.J. Linz and A.C. Stepan in order to assess the complex process of democratization in Turkey. This framework takes into account five interacting features of Turkey’s polity when making this assessment, namely: whether the underlying legal and socioeconomic conditions are conducive for the de...
This book provides a thorough interdisciplinary analysis of the ways in which artists have engaged with political and feminist grassroots movements to characterise a new direction in the production of feminist art. The authors conceptualise feminist art in Turkey through the lens of feminist philosophy by offering a historical analysis of how feminism and art interacts, analysing emerging feminist artwork and exploring the ways in which feminist art as a form opens alternative political spaces of social collectivities and dissent, to address epistemic injustices. The book also explores how the global art and feminist movements (particularly in Europe) have manifested themselves in the art scenery of Turkey and argues that feminist art has transformed into a form of political and protest art which challenges the hegemonic masculinity dominating the aesthetic debates and political sphere. It is an invaluable reading for students and scholars of sociology of art, gender studies and political sociology.
Bir Vehbi Koç Vakfı kuruluşu olan Arter, 2010 yılının Mayıs ayında, İstiklâl Caddesi’ndeki binasında açıldı ve bu binada 2018 yılına kadar gerçekleştirdiği 35 sergiden sonra 2019’da Dolapdere’deki çok disiplinli bir kültür merkezi niteliği taşıyan yeni yuvasına taşındı. Arter: Sanat İçin Alan Yaratmak, Türkiye’nin kültür hayatında on yılı aşkın süredir varlık gösteren ve ziyaretçilerini sanatın tüm disiplinlerindeki güncel üretimle buluşturan bu kurumun yola çıkışına ve hikâyesine yakından bir bakış sunuyor. Bu kapsamlı kitap, Arter’in 2010-2020 yılları arasındaki öyküsünü on kilit kavram aracılığıyla ele alıyor: Arter, Bellek, Üretim, Yayın, İnşa, Buluşma, Bahane, Ses, Performans ve Beraber. Her biri kurumun tarihinde, felsefesinde veya programındaki belirleyici bir yöne vurgu yapan bu kavramlar etrafında örülen metin, emeği geçen kişilerin tanıklıklarıyla zenginleşiyor. Bu kitap, Arter Kurumsal Sponsoru Tüpraş’ın değerli katkısıyla yayımlanmıştır.
Arter initiated a new publication series, ARTER BACKGROUND, in 2019 to accompany exhibitions drawn from its collection, which holds around 1,400 works of art. This third book in the series accompanies the collection-based group exhibition On Celestial Bodies, opened at Arter in September 2020. In the book, excerpts of texts selected around the ideas active in the curatorial process put in practice by Kevser Güler are complemented by new essays written specifically for this context. While the exhibition deals with the ways that beings come together and disperse, the manners through which they build relations, and their ways of distancing and converging with each other, the accompanying publi...