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The Watchers' Club
The murder of two teens seems to have been committed by another teenager who is arrested and put on trial, while other kids stumble upon remarkable evidence that puts everything in doubt.
Wordsworth and Feeling
Wordsworth and Feeling returns to Wordsworth's personal history in order to locate and contextualize some of the most remarkable poetry in the English language. In this study, G. Kim Blank details how this poetry evolves out of Wordsworth's radical subjectivity, but the most pressing feature of that subjectivity is the cluster of subjects - loss, guilt, suffering, endurance, death - which appears throughout much of his poetry up until 1802-4.
The Fisherman's Secret (Hardcover)
"A coming-of-age novel set in the 1960s, about how deep family secrets and the secrets held by nature collapse into an unthinkable tragedy, revolving around a commercial fishman, the disturbing discovery by his precocious son, his young daughter, and the sinking hopes of a First Nations woman"--
I Love You Kim
I Love You Kim Blank lined Diary journal - 120 Pages - Large (6x9 inches) Everyone loves hearing original words from the people they love and care about. It is our hope to help bless your relationship with your Kim through this journal, We know that taking the time to sit down and journal about those we love has become a lost art in the hustle and bustle of the 21st century. But we want to encourage you to give it a go. Order Now & Celebrate your unique and perfectly imperfect love with the one and only who has your heart.
Influence and Resistance in Nineteenth-Century English Poetry
To what extent is the distinction between 'Romantic' and 'Victorian' valuable or just? Is the Romantic/Victorian demarcation merely a convenience for the sake of the curriculum? How is the quarrel among different strains of Romanticism continued and developed in the Victorian period? How do Victorian texts interact with, echo, or resist Romantic texts? In what ways did the Romantic poets establish the terms within which, or against which, Victorian poets were debating? This volume of original essays addresses these questions; it also demonstrates how well the Romantics thought, and with what ferocious diligence the Victorians explored, resisted, and reworked the Romantic vision.
The New Shelley
The last two decades have seen the business of researching and writing about Percy Bysshe Shelley change in positive and significant ways. Shelleyan characteristics which were once deemed negative are now reviewed as critically engaging qualities. The New Shelley: Later Twentieth-Century Views is a collection of original essays by some of the leading Romanticists which situates Shelley for our own age, but not only by contextualizing him within our own scene of critical practice, but also by replacing him within his own scene of poetic production.
The Blank-Verse Tradition from Milton to Stevens
Blank verse, unrhymed iambic pentameter, has been central to English poetry since the Renaissance. It is the basic vehicle of Shakespeare's plays and the form in which Milton chose to write Paradise Lost. Milton associated it with freedom, and the Romantics, connecting it in turn with freethinking, used it to explore change and confront modernity, sometimes in unexpectedly radical ways. Henry Weinfield's detailed readings of the masterpieces of English blank verse focus on Milton, Wordsworth, Shelley, Keats, Tennyson and Stevens. He traces the philosophical and psychological struggles underlying these poets' choice of form and genre, and the extent to which their work is marked, consciously or not, by the influence of other poets. Unusually attuned to echoes between poems, this study sheds new light on how important poetic texts, most of which are central to the literary canon, unfold as works of art.
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The New Shelley
The last two decades have seen the business of researching and writing about Percy Bysshe Shelley change in positive and significant ways. Shelleyan characteristics which were once deemed negative are now reviewed as critically engaging qualities. The New Shelley: Later Twentieth-Century Views is a collection of original essays by some of the leading Romanticists which situates Shelley for our own age, but not only by contextualizing him within our own scene of critical practice, but also by replacing him within his own scene of poetic production.
