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First published in 1978. In this study, Shakespeare's own life story and the development of English theatrical history are placed in the wider context of Elizabethan and Jacobean times, but the works themselves are the final objective of this 'applied biography'. The main contention of the book is that Shakespeare's life was the lure of the stage itself which inspired him to transform what everyday life provided into the worlds of Hamlet, King Lear and Prospero.
Roy Daniells (1902-1979), an English professor who finished his career at the University of British Columbia, and an outstanding scholar, teacher and poet, influenced at least four generations of students.
A brilliant postmodern critique of Renaissance subjectivity, Cultural Aesthetics explores the simultaneous formation and fragmentation of aristocratic "selfhood" in the late sixteenth and early seventeenth centuries. Patricia Fumerton situates the self within its sumptuous array of "trivial" arts—including the court literatures of chivalric romance, sonnet, and masque and the arts of architecture, miniature painting, stage design, and cuisine. Her integration of historicist and aesthetic perspectives makes this a provocative contribution to the vigorous field of Renaissance cultural studies.
The pioneer roadhouses between Clinton and Barkerville provide us a living heritage of the colourful era of the Cariboo Gold Rush. While thousands plodded toward Barkerville dreaming of paydirt on Williams Creek, always seeking a faster route to their motherlode, a separate breed of settlers created the shelters that would ease their journey. The trail was everchanging and when the rush was over, the Cariboo-Chilcotin was left with a mosaic of roadhouses and a legacy to build on. These structures had their own stories, tales of wild nights and human heartbreak, sagas of sin and sincerity. In her first volume,Trails to Gold, the author described the early inns, primarily south of Clinton, which preceded the construction of the Cariboo Road between 1862 and 1865. This volume completes the story of the peak years of a gold rush that British Columbia will never forget.
A line of nervous young women got off a ship in Victoria Harbour in 1862 and had to walk the gauntlet between two rows of jostling, eager men. One girl, proposed to on the spot, accepted equally quickly and left town with her new husband. Why did these women leave everything behind in England and come to the west coast? The answers lie in the lusty turmoil of a gold-rush frontier, the horrible disruptions of industrial England and the conflicting aims of earnest Christians and early British feminists.
Part One: Theory and Ideology. Part Two: Theory as Academic Practice: Part Three: Censorship and Teaching Practice.
In 1995, Peter Johnson went looking for a rare set of petroglyphs located on the outer coast of Vancouver Island near an abandoned whaling village. Encouraged by archival research that yielded court records, 90-year-old correspondence and a tantalizing 1926 newspaper article, Peter sought to tie these glyphs to the 1869 wreck of the trading barque John Bright and the bizarre colonial trial that followed. He found more questions than answers. Why, for example, were two Nuu-chah-nulth men so readily hung from a gallows erected in front of their village at Hesquiat? And how did this event relate to the rock carvings that Peter knew existed in a cove many miles south, along the life-saving West Coast Trail by the Graveyard of the Pacific? This story explores the significance of particular petroglyphs, colonial injustice and the European trading mentality on the west coast at the time of contact. Peter interweaves a personal journal with historical narrative in order to produce a lively account of the relationship between our coastal history and a little-known Aboriginal art form.
Those curious about the world of Greenwich, England, get a reader's tour of the streets and byways of this storied city and its rich history of pomp and pageantry, revolutions and exploits, and soaring scientific achievements. 160 illustrations, 100 in color.
Although immigrants from the United States, China, and elsewhere were part of the workforce brought in between 1850 and 1900 to man the mining industry of Vancouver Island, the largest group of miners was born in Britain. Belshaw (philosophy, history, and politics, U. College of the Cariboo, Canada) explores the aspirations, motivations, and experiences of these British immigrants, who formed the core of British Columbia's first industrial working class. He attempts a holistic examination that details the group's demographic features, its responses to day-to-day life under industrial capitalism, and its cultural development and explores the lives of the miners, their families, and their communities. Annotation copyrighted by Book News, Inc., Portland, OR
Includes all the narrative poems that can confidently be assigned to Shakespeare.