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Gabriel de la Mora
Also available in Spanish under the title: Pulsiaon y maetodo.
Gabriel de la Mora
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Living Matter
This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or genetically engineered organisms. Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk, bacteria, living organisms—these are just a few of the biological materials that contemporary artists are using to make art. But how can works made from such perishable ingredients be preserved? And what logistical, ethical, and conceptual dilemmas might be posed by doing so? Because they are prone to rapid decay, even complete disappearance, biological materials used in art pose a range of unique conservation challenges. This g...
Gabriel de la Mora: Sound Inscriptions on Fabric
Mexican multimedia artist Gabriel de la Mora (born 1968) is best known for constructing visual works from obsolete found objects such as eggshells and discarded shoes. De la Mora describes these objects that have outlived their usefulness as caches for historical information about everyday life. In his exhibition at The Drawing Center, De la Mora presents an installation of 55 pairs of found speaker screens. Each screen is imprinted with an inscription created by the dust and air that circulated through the speaker screen during its useful life recording the cadence of countless voices, advertisements, news broadcasts, soap operas, football games and music, as well as noise, interference and silence. This volume accompanies De la Mora's Drawing Center presentation and features images of the installation and essays on his work.
Love and Despair
Love and Despair explores the multiple and mostly unknown ways progressive and conservative Catholic actors, such as priests, lay activists, journalists, intellectuals, and filmmakers, responded to the significant social and cultural shifts that formed competing notions of modernity in Cold War Mexico. Jaime M. Pensado demonstrates how the Catholic Church as a heterogeneous institution--with key transnational networks in Latin America and Western Europe--was invested in youth activism, state repression, and the counterculture from the postwar period to the more radical Sixties. Similar to their secular counterparts, progressive Catholics often saw themselves as revolutionary actors and nearly always framed their activism as an act of love. When their movements were repressed and their ideas were co-opted, marginalized, and commercialized at the end of the Sixties, the liberating hope of love often turned into a sense of despair.
forum for inter-american research Vol 5
Volume 5 of 6 of the complete premium print version of journal forum for inter-american research (fiar), which is the official electronic journal of the International Association of Inter-American Studies (IAS). fiar was established by the American Studies Program at Bielefeld University in 2008. We foster a dialogic and interdisciplinary approach to the study of the Americas. fiar is a peer-reviewed online journal. Articles in this journal undergo a double-blind review process and are published in English, French, Portuguese and Spanish.
Courtyards
"Courtyards presents a survey of courtyards, contemporary design guidelines, and a diverse selection of examples. Readers will acquire a basic understanding of the balance that must exist between garden and building, including practical advice for planting."--BOOK JACKET.
