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"Jazzercise Is a Language is rich with original music and a mysteriously evocative internal movement. It brings us closer to a future magic formed by the tropical energies some of us might keep in our interiors, even if that magic were initially only relatable through the presence of a rooster. Gabriel Ojeda-Sague's poems are 'song[s that] lie sweetly on the wound.' He shape-shifts his interior and exterior selves like the oceans do, and shows us not only that the universe is always speaking to us, but also that it is always speaking to itself in us. I am relieved and renewed as if from a good night of powerful and gentle dreams when I read his poems"--Page 4 of cover.
Poetry. Latino/Latina Studies. LGBT Studies. OIL AND CANDLE traces imagined rituals, failed rituals, and magical objects of Santería in confronting issues of race, warfare, and the precarity of Latino lives. Object-oriented, OIL AND CANDLE localizes biographical, theoretical, and imagined content in a Limpias oil and an Abrecaminos prayer candle (or velón). It is as much a confrontation of racism in poetry as it is a torch-song to cultures inherited and not necessarily lived. OIL AND CANDLE was selected as the winner of Timeless, Infinite Light's 2015 TRACT Contest by guest judges Brittany Billmeyer-Finn, Cheena Marie Lo, and Syd Staiti.
However arresting, outlandish, or hilarious, the poems in Horoscopes for the Dead are typically prompted by the familiar things of the world: dogs, stars, food, love, and marriage as well as life's local triumphs and disappointments, joys and shames. Collins's gift is to unlock the mysterious in the ordinary, and he is always careful to take his reader with him. Indeed, no other living poet has done more to reengage and revitalize poetry's readership, or so deservedly earned its trust. Few poets have his ability to mix bold, unadorned statements with lyric invention and imaginative richness. And here in these new poems, Collins's inimitable tone - wry, smart, funny, and wise - takes on a darker shade, as the poems declare a deep awareness of transience and mortality. The result is the revelation of a world more precious, more fragile, richer in colour and form than ever. Praise for Billy Collins ‘A writer . . . fully aware of his work’s power to delight’ New York Times ‘A poet of plentitude, irony, and Augustan grace’ New Yorker
Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.
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This book summarizes the body of knowledge about sociology of education and cultural studies as it informs educational research and critical pedagogy. It synthesizes the most relevant work in social and cultural reproduction published in the last three decades in English, French, German, Spanish, and Portuguese. The authors document and critique the theoretical discussion in developments in both advanced societies and peripheral ones, and link macro-sociological issues with social psychological ones. The book introduces theories of the state to underscore a political sociology of education, and highlights an agenda for theory building, research, and practice in sociology of education.
Inconsistencies in definitions of "manufactures" used to compile output and trade statistics produce a discrepancy of $60 billion in estimates of developing country exports. Clearly, international organizations must resolve these discrepancies.
Preface by Henri Cardinal de Lubac Postscript and foreword by Jacques Servais, S.J. In the 1960's, Fr. Hans Urs von Balthasar gave two conferences in Paris on the subject of redemption. One considered the perspective of Christ the Redeemer. The other gave a view of the redemption from the perspective of Mary and the Church, consenting to the sacrifice of Jesus. These two conferences are what Fr. Jacques Servais, S.J., in his foreword calls "a lantern of the Word", shedding light amidst the advancing turmoil of the postconciliar period. These conferences were later collected by the eminent theologian Henri Cardinal de Lubac, S.J., in a single volume along with an anthology of meditations on t...