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Spatial Readings and Linguistic Landscapes
Talking about space in literature and linguistics is a major challenge, not only for experts in the field of the humanities, but also for the broader public, searching for orientation clues on the vast book market. This volume offers a selection of studies which, even though reliant on shared instruments, apply these to different geographical spaces, uniting along an imaginary axis the East and the West, advancing challenging, serious and innovative analyses of prose, dramatic and film texts, belonging to literatures from various countries, but also references to the phenomenon of migration seen through the lens of spatial correspondence or the existence of a “third space” dimension in the field of teaching foreign languages. The journey the impassioned reader will undertake through this volume will undoubtedly offer both the pleasure of reading itself, and incursions into complementary cultures, an endeavour completed by the unique mechanism of a spatiality which produces knowledge. Any reading engaged in through the lens of space implicitly becomes a form of owning and assuming the latter.
Power and Literature
At the core of this book lies the relation between Power (as socio-political phenomenon) and the novel (as literary discourse). It shows that, in a society facing the excess of power in its various forms, novelistic fiction mediates knowledge about societal Power structures and uses specific strategies to subvert and denounce them. The first part of the study is theoretical: it presents some of the most prominent theories of Power, from Plato, Machiavelli, Nietzsche to Weber, Dahl, Lukes, Parsons, Bourdieu or Foucault. After offering a critical approach to the concepts of Power defined in the social, political and philosophical fields, it articulates the relations of Power imprinted in literary discourse within a typology of four categories. In the second part of the book, this taxonomy of Power is applied to four key novels in the context of Romanian "literary crossroads", showing how novelistic fiction not only assume a critical and subversive position against the excess of Power, but also unveils our fragility when experiencing History.
The Black Envelope
A splendid, violent spring suddenly grips Bucharest in the 1980s after a brutal winter. Tolea, an eccentric middle-aged intellectual who has been dismissed from his job as a high school teacher on "moral grounds," is investigating his father's death forty years after the fact, and is drawn into a web of suspicion and black humor."Reading 'The Black Envelope, ' one might think of the poisonous 'black milk' of Celan's 'Death Fugue' or the claustrophobic air of mounting terror in Mr. Appelfeld's 'Badenheim 1939.' . . . Mr. Manea offers striking images and insights into the recent experience of Eastern Europe."--"New York Times Book Review"
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Paul Celan
In the immediate aftermath of World War II, Paul Celan moved to Bucharest, where he spent more than two years working as a translator at Carta Rusa publishing house. During that time he was introduced to poet and translator Petre Solomon and began a close friendship that would endure many years, despite the distances that separated them and the turbulent times in which they lived. In this poignant memoir, Solomon recalls the experiences he shared with Celan and captures the ways in which Bucharest profoundly influenced Celan’s evolution as a poet. He recounts the publication of the famous “Todesfuge” for the first time in the Romanian magazine Agora and his fertile connection with the Romanian surrealist movement. Through Solomon’s vivid recollection and various letters Celan sent to friends, readers also get an intimate glimpse of Celan’s personality, one characterized by a joyful appreciation of friendship and a subtle sense of humor. Translated from the original, Tegla’s edition makes this remarkable memoir available to a much-deserved wider audience for the first time.
Eastern Europe in Revolution
In this book twelve outstanding authorities present their thoroughgoing assessments of the East European revolution of 1989—the definite collapse of communism as an ideology, a political movement, and a system of power in eight countries. All but two of the contributors focus on the revolution in an individual region or country—Poland, Hungary, the German Democratic Republic, Czechoslovakia, Romania, Bulgaria, Yugoslavia, and Albania—and each of them addresses the theme of regime transition. In Eastern Europe, of course, the transition from communism to.... has been as complex and varied as the political geography of the notorious "fracture zone" itself, and individual authors thus concentrate on different sets of problems; they tell different kinds of stories. Pointing to the enormous difficulties of systematic transformation, they measure the dangers of nationality conflict and the potential for new authoritarianism. Ivo Banac has assembled a cast with impressive credentials. Without imposing an artificial unity on a chaotic subject, their book maps out the events of 1989-90 and sets the background for figuring out where the region may be headed.
Eros, Magic, & the Murder of Professor Culianu
Anton (writing, DePaul U.) synthesizes the research he has done since the beginning on the still-unsolved May 1991 murder of Chicago Divinity School professor Ioan Culianu, a protege of pioneering mythologist Mircea Eliade. Culianu had been taunting the communist government of his native Romania, and Anton suggests the murder was political. Annotation copyrighted by Book News, Inc., Portland, OR
The Struggle of the Modern
Shelley said, in his Defence of Poetry, that poetry should be both centre and circumference of knowledge. In his new book, Spender takes Shelley's claim and relates it to modern literature. He points out that, ever since the Industrial Revolution, writers have been conscious of there being a problem of creating literature in the industrial era. All the discussions of tradition, symbolism, myth and the rest are part of a conscious strategy of writers to come to terms with a modern world which they feel presents quite special problems for them. Spender shows how Matthew Arnold's idea that criticism might be more important than poetry in our time, was taken over by poets who wrote criticism, an...
