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Force, Content and the Unity of the Proposition
This volume advances discussion between critics and defenders of the force-content distinction and opens up new ways of thinking about force and speech acts in relation to the unity problem. The force-content dichotomy has shaped the philosophy of language and mind since the time of Frege and Russell. Isn’t it obvious that, for example, the clauses of a conditional are not asserted and must therefore be propositions and propositions the forceless contents of forceful acts? But, others have recently asked in response, how can a proposition be a truth value bearer if it is not unified through the forceful act of a subject that takes a position regarding how things are? Can we not instead think of propositions as being inherently forceful, but of force as being cancelled in certain contexts? And what do assertoric, but also directive and interrogative force indicators mean? Force, Content and the Unity of the Proposition will be of interest to researchers working in philosophy of language, philosophical logic, philosophy of mind and linguistics.
Inference and Representation
The first comprehensive defense of an inferential conception of scientific representation with applications to art and epistemology. Mauricio Suárez develops a conception of representation that delivers a compelling account of modeling practice. He begins by discussing the history and methodology of model building, charting the emergence of what he calls the modeling attitude, a nineteenth-century and fin de siècle development. Prominent cases of models, both historical and contemporary, are used as benchmarks for the accounts of representation considered throughout the book. After arguing against reductive naturalist theories of scientific representation, Suárez sets out his own account:...
Colours in the development of Wittgenstein’s Philosophy
This book presents and discusses the varying and seminal role which colour plays in the development of Wittgenstein’s philosophy. Having once said that “Colours spur us to philosophize”, the theme of colour was one to which Wittgenstein returned constantly throughout his career. Ranging from his Notebooks, 1914-1916 and the Tractatus Logico-Philosophicus to the posthumously published Remarks on Colours and On Certainty, this book explores how both his view of philosophical problems generally and his view on colours specifically changed considerably over time. Paying particular attention to his so-called intermediary period, it takes a case-based approach to the presentation of colour in texts from this period, from Some Remarks on Logical Form and Philosophical Remarks to his Big Typescript.
Interface Theology 5/2 2019
The volume covers a number of areas: Interment of Marist Fathers in the Second World War in NZ, and examines theology and art.
An Introduction to Proof Theory
"Proof theory is a central area of mathematical logic of special interest to philosophy . It has its roots in the foundational debate of the 1920s, in particular, in Hilbert's program in the philosophy of mathematics, which called for a formalization of mathematics, as well as for a proof, using philosophically unproblematic, "finitary" means, that these systems are free from contradiction. Structural proof theory investigates the structure and properties of proofs in different formal deductive systems, including axiomatic derivations, natural deduction, and the sequent calculus. Central results in structural proof theory are the normalization theorem for natural deduction, proved here for b...
Wollheim, Wittgenstein, and Pictorial Representation
Pictorial representation is one of the core questions in aesthetics and philosophy of art. What is a picture? How do pictures represent things? This collection of specially commissioned chapters examines the influential thesis that the core of pictorial representation is not resemblance but 'seeing-in', in particular as found in the work of Richard Wollheim. We can see a passing cloud as a rabbit, but we also see a rabbit in the clouds. 'Seeing-in' is an imaginative act of the kind employed by Leonardo’s pupils when he told them to see what they could - for example, battle scenes - in a wall of cracked plaster. This collection examines the idea of 'seeing-in' as it appears primarily in the...
A Referential Theory of Truth and Falsity
This book proposes a novel theory of truth and falsity. It argues that truth is a form of reference and falsity is a form of reference failure. Most of the philosophical literature on truth concentrates on certain ontological and epistemic problems. This book focuses instead on language. By utilizing the Fregean idea that sentences are singular referring expressions, the author develops novel connections between the philosophical study of truth and falsity and the huge literature in in the philosophy of language on the notion of reference. The first part of the book constructs the author’s theory and argues for it in length. Part II addresses the ways in which the theory relates to, and is different from, some of the basic theories of truth. Part III takes up how to account for the truth of sentences with logical operators and quantifiers. Finally, Part IV discusses the applications and implications of the theory for longstanding problems in philosophy of language, metaphysics, and epistemology. A Referential Theory of Truth and Falsity will appeal to researchers and advanced students working in philosophy of language, epistemology, metaphysics, and linguistics.
The Fall of Language
In the most comprehensive account to date of Walter Benjamin’s philosophy of language, Alexander Stern explores the nature of meaning by putting Benjamin in dialogue with Wittgenstein. Known largely for his essays on culture, aesthetics, and literature, Walter Benjamin also wrote on the philosophy of language. This early work is famously obscure and considered hopelessly mystical by some. But for Alexander Stern, it contains important insights and anticipates—in some respects surpasses—the later thought of a central figure in the philosophy of language, Ludwig Wittgenstein. As described in The Fall of Language, Benjamin argues that “language as such” is not a means for communicatin...
Art of the Ordinary
Cutting across literature, film, art, and philosophy, Art of the Ordinary is a trailblazing, cross-disciplinary engagement with the ordinary and the everyday. Because, writes Richard Deming, the ordinary is always at hand, it is, in fact, too familiar for us to perceive it and become fully aware of it. The ordinary he argues, is what most needs to be discovered and yet is something that can never be approached, since to do so is to immediately change it. Art of the Ordinary explores how philosophical questions can be revealed in surprising places—as in a stand-up comic’s routine, for instance, or a Brillo box, or a Hollywood movie. From negotiations with the primary materials of culture ...
John Rawls and the Common Good
The chapters in this book analyze the relationship between core concepts of the common good and the work of American political philosopher John Rawls. One of the main criticisms that has been made of Rawls is his supposed neglect of central aspects of collective life. The contributors to this book explore the possibility of a substantive and community-oriented interpretation of Rawls’s thought. The chapters investigate Rawls’s views on values such as community, faith, fraternity, friendship, gender equality, love, political liberty, reciprocity, respect, sense of justice, and virtue. They demonstrate that Rawls finds a balance between certain individualistic aspects of his theory of justice and the value of community. In doing so, the book offers insightful new readings of Rawls. John Rawls and the Common Good will be of interest to scholars and advanced students working in political, moral, and legal philosophy.
