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Publisher Description
This comparative study of Italian Fascism and German Nazism examines the similarities and differences in the formation and early development of the two regimes, the role of the party, the position of the leaders and policies towards women and youth. Previous ed.: 1995.
Exploring the fascinating cross-cultural influences between Jews and Christians in Italy from the Renaissance to the twentieth century, Acculturation and Its Discontents assembles essays by leading historians, literary scholars, and musicologists to present a well-rounded history of Italian Jewry. The contributors offer rich portraits of the many vibrant forms of cultural and artistic expression that Italian Jews contributed to, but this volume also pays close attention to the ways in which Italian Jews - both freely and under pressure - creatively adapted to the social, cultural, and legal norms of the surrounding society. Tracing both the triumphs and tragedies of Jewish communities within Italy over a broad span of time, Acculturation and Its Discontents challenges conventional assumptions about assimilation and state intervention and, in the process, charts the complex process of cultural exchange that left such a distinctive imprint not only on Italian Jewry, but also on Italian society itself. This collection of rigorous and thought-provoking essays makes a major contribution to both the history of Italian culture and the cultural influence and significance of European Jews.
National Cultures and Foreign Narratives charts the pathways through which foreign literature in translation has arrived in Italy during the first half of the twentieth century. To show the contribution translations made to shaping an Italian national culture, it draws on a wealth of archival material made available in English for the first time.
The most passionate advocates of Italy's unification in the nineteenth century possessed an almost limitless faith in the benefits of civic association. They also shared a common concern: once Italian unification was achieved and various freedoms were established, would ordinary Italians naturally become responsible, progressive citizens especially after centuries of foreign rule, regional division, and economic decline? Most unification advocates doubted that their fellow citizens could form a modern, progressive civil society on their own, or that a vibrant association life would develop from the ground up. Building a Civil Society is the first book-length English-language study of associational life in nineteenth-century Italy. Drawing on extensive research in published and unpublished documents including associational records, newspapers, periodicals, government documents, guidebooks, exhibition catalogues, memoirs, and private letters Steven C. Soper provides a complex account of Italian liberalism during Europe's age of association. His study also raises important questions about the role that associations play in emerging democracies.
Thirteen original essays study the mobility of Classicists sensu latiore, including philologists and archaeologists, between the Anglophone and Germanophone worlds between the mid-19th C. and 2020, concentrating on the North Atlantic Triangle. American classicists "rushed across the seas" for doctoral work in Germany (the great Hellenist Gildersleeve, the American circle around Wölfflin, the historian of classical scholarship Gudeman). The archaeologist Schliemann’s dubious profiteering in America is exposed. Two contemporary scholars describe how they moved to enrich their career horizons (Ludwig, Shanzer). More, however, sadly, were forced to seek asylum from 20th century Fascism and anti-Semitism (Bieler, Brendel, Fraenkel). One (Gudeman) emigrated from America to Germany in the early Nazi period and later died in a labor camp. The lasting prominence of one novelist (Wallace) and one critic with a dark past (Pöschl), whose influential works crossed the sea, are also evaluated. The volume includes work in academic sociology, archival and epistolographical detective-work, in life writing, transmission-reception, and the history of scholarship.
Based on analysis of archival and published sources, Opponents of the Annales School examines for the first time those who have dared to criticise and ignore one of the most successful currents of thought in modern historiography. It offers an original contribution to the understanding of an unavoidable chapter in modern intellectual history.
Alessandra Tarquini’s A History of Italian Fascist Culture, 1922–1943 is widely recognized as an authoritative synthesis of the field. The book was published to much critical acclaim in 2011 and revised and expanded five years later. This long-awaited translation presents Tarquini’s compact, clear prose to readers previously unable to read it in the original Italian. Tarquini sketches the universe of Italian fascism in three broad directions: the regime’s cultural policies, the condition of various art forms and scholarly disciplines, and the ideology underpinning the totalitarian state. She details the choices the ruling class made between 1922 and 1943, revealing how cultural polic...
This book is the first collection of multi-disciplinary research on the experience of Italian-Jewish musicians and composers in Fascist Italy. Drawing together seven diverse essays from both established and emerging scholars across a range of fields, this book examines multiple aspects of this neglected period of music history, including the marginalization and expulsion of Jewish musicians and composers from Italian theatres and conservatories after the 1938–39 Race Laws, and their subsequent exile and persecution. Using a variety of critical perspectives and innovative methodological approaches, these essays reconstruct and analyze the impact that the Italian Race Laws and Fascist Italy’s musical relations with Nazi Germany had on the lives and works of Italian Jewish composers from 1933 to 1945. These original contributions on relatively unresearched aspects of historical musicology offer new insight into the relationship between the Fascist regime and music.
This book presents Giovanni Gentile's actual idealism as a radical constructivist doctrine for use in moral theory. The first half describes the moral theory that Gentile explicitly identifies with actual idealism, according to which all thinking, rather than an exclusive domain of ‘practical reason', has a moral character. It is argued that after Gentile’s turn to Fascism in the early 1920s, this theory is increasingly conflated with his political doctrine. This entails several major changes that cannot be squared with the underlying metaphysics. The second half of the book develops a more plausible account of Gentilean moral constructivism based on the pre-Fascist idea of reasoning as ...