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European Drawings 4
The collection of drawings at the Getty Museum was started in 1981 with the purchase of Rembrandt’s Nude Woman with a Snake and has steadily expanded since then, so that now, at the turn of the new millennium, it stands at more than six hundred drawings and is, sheet for sheet, one of the best anywhere. The Getty goal is to create from the finest examples a collection of the different Western European schools of drawing before 1900, with special emphasis on the work of the most important and accomplished draftsmen. The collection now contains superb examples of the work of Leonardo da Vinci, Raphael, Michelangelo, Dürer, Rembrandt, Claude Lorraine, Watteau, Gainsborough, David, Millet, Ma...
A Companion to Early Modern Naples
Naples was one of the largest cities in early modern Europe, and for about two centuries the largest city in the global empire ruled by the kings of Spain. Its crowded and noisy streets, the height of its buildings, the number and wealth of its churches and palaces, the celebrated natural beauty of its location, the many antiquities scattered in its environs, the fiery volcano looming over it, the drama of its people’s devotions, the size and liveliness - to put it mildly - of its plebs, all made Naples renowned and at times notorious across Europe. The new essays in this volume aim to introduce this important, fascinating, and bewildering city to readers unfamiliar with its history. Contr...
Uncertainty in Post-Reformation Catholicism
This book provides a historical account of early modern probabilism and its theological, intellectual, and cultural implications. Tutino argues that probabilism played a central role in helping early modern theologians grapple with the uncertainties originated by a geographically and intellectually expanding world.
Rebuilding St. Paul's Outside the Walls
Traces the reconstruction of the Basilica of Saint Paul Outside the Walls, providing a new prehistory of the great Catholic revival after 1850.
Monarchy Transformed
"Until the 1960s, it was widely assumed that in Western Europe the 'New Monarchy' propelled kingdoms and principalities onto a modern nation-state trajectory. John I of Portugal (1358-1433), Charles VII (1403-1461) and Louis XI (1423-1483) of France, Henry VII and Henry VIII of England (1457-1509, 1509-1553), Isabella of Castile (1474-1504) and Ferdinand of Aragon (1479-1516) were, by improving royal administration, by bringing more continuity to communication with their estates and by introducing more regular taxation, all seen to have served that goal. In this view, princes were assigned to the role of developing and implementing the sinews of state as a sovereign entity characterized by the coherence of its territorial borders and its central administration and government. They shed medieval traditions of counsel and instead enforced relations of obedience toward the emerging 'state'."--Provided by publisher.
Built Heritage in post-Disaster Scenarios
It is assumed that the impact of natural and man-made hazards on society in terms of damage cannot be avoided. To reduce potential disaster levels and to assess which policies have had a positive outcome, a careful comparison should take place on the procedures implemented in the management of crises. The experiences with the earthquakes in the Pianura Padana area and central regions of Italy in the last ten years have been incorporated in the 'After the Damages' advanced training project. This project aims to showcase recent innovations and advancements in post-disaster management, so as to take a more proactive role in post-disaster management, and to respond more effectively when disaster...
