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Galeria Schmela
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Galerie Schmela
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Robert Filliou
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Beuys zu Ehren
Catalogus met werken en statements van de Duitse beeldend kunstenaar (1921-1986) en met een hommage aan hem door 70 bekende kunstenaars.
Isa Genzken
Isa Genzken ? Works from 1973 until 1983 is dedicated to the artist?s early œuvre. The publication opens with works from her time as a student at the Düsseldorf Academy of Fine Arts (1973?1977) and details the evolution of her art up to 1983. The works shown include sculptures, computer printouts, extensive series of drawings, photographs and ?lms. The artist blends conceptual approaches with personal themes; many works that initially seem to be exercises in geometric abstraction prove upon closer examination to be traces of her own existence, telling stories of personal relationships and the vagaries of desire. Her work during this period also responds to Minimalism and Conceptual Art, two dominant approaches in America and Western Europe at the time. Essays by Simon Baier, Jutta Koether, and Griselda Pollock examine various aspects of Genzken's body of work.00Exhibition: Kunstmuseum Basel, Switzerland (05.09.2020 - 24.01.2021 / Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (2021).
Art in Transfer in the Era of Pop
How should we understand post-war art? How were issues of cultural transfer and curatorial strategies dealt with in the extended 1960s - the era of pop? Art in Transfer in the Era of Pop juxtaposes issues and contexts approaching the concept and reception of Pop Art. Contributors from Europe and beyond weave a web that resists the notion of universialism, adding to art historian Piotr Piotrowski's "horizontal" art history. This volume avoids the historiographic stance where the US--Europe relationship appears to be a one-way affair. Instead, the reader is drawn into the history of the circulation and cross-pollination of ideas, the aesthetic practices and the various contexts that influenced them.
Bern 1969
"The Fondazione Prada presents between 1 June and 3 November 2013 at Ca’ Corner della Regina in Venice an exhibition entitled “When Attitudes Become Form: Bern 1969/Venice 2013” curated by Germano Celant in dialogue with Thomas Demand and Rem Koolhaas. In a surprising and novel remaking, the project reconstructs “Live in Your Head. When Attitudes Become Form,” a show curated by Harald Szeemann at the Bern Kunsthalle in 1969, which went down in history for the curator’s radical approach to exhibition practice, conceived as a linguistic medium." - See more at: http://moussemagazine.it/55vb-fondazione-prada/#sthash.PpxmEBXE.dpuf.
L'Art contemporain Pour les Nuls
Comprenez et apprenez à apprécier l'art contemporain... " Pourquoi dépenser des millions pour avoir chez moi une croûte qu'on dirait peinte par mon fils de 3 ans ? " Voilà le genre d'incompréhension qu'inspire souvent la notion même d'art contemporain. Si les Nuls se lancent dans cet " art " qui n'a, d'après le grand public, d'artistique que le nom, c'est bien pour comprendre ce que cette notion recouvre exactement. À quels codes l'art contemporain obéit-il ? Quels sont les ressorts du marché de l'art contemporain, hallucinant pour le néophyte ? Quel rapport entretient l'art contemporain avec le Beau ? Ulrike Kasper débroussaille pour nous le concept d'art contemporain, en décline la richesse et les racines, puis retrace les grands courants artistiques qui ont traversé le XXe et le début du XXIe siècle. Un projet ambitieux et salutaire pour nous aider à comprendre le pourquoi du comment de cet art dit " contemporain " qui paraît pourtant à la plupart d'entre nous si lointain.
Joseph Beuys
Twenty-four years after his death, the Kunstsammlung Nordrhein-Westfalen is paying homage to the artist, educator and political activist Joseph Beuys (1921-1986) in Düsseldorf, the city with which he is primarily associated. Often the object of intense debate and much hostility during his lifetime, today Beuys ranks among the 20th century's most important and most innovative figures of the artistic avant-garde and is often mentioned in the same breath as Marcel Duchamp and Andy Warhol. This companion book shares the exhibition's goal of displaying "the complete Beuys" by presenting selected works from all phases and artistic media of his multifaceted œuvre.
