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Contemporary Artists
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The Art of the Macchia and the Risorgimento
During the 1860s and '70s, more than a decade before the development of French Impressionism, Italy produced a group of avant-garde artists whose fervently nationalist paintings anticipated some of Impressionism's theoretical concerns. These artists were called "Macchiaioli" because they based their technique on a quickly rendered macchia, or sketch. In the first extended sociopolitical interpretation in English of this important group, Albert Boime places the Macchiaioli in the cultural context of the Risorgimento—the political movement that unified Italy, freed from foreign rule, under a secular, constitutional government. Anglo-American art criticism has generally neglected these painte...
Contemporary Artists: L-Z
Arranged alphabetically from Magdalena Abakanowicz to Tadaaki Kuwayama, this volume provides a biography of the artist, a selected list of exhibitions, a list of public collections that include work by the artist, and more.
Boccioni, a Retrospective
Traces the life and career of the Italian artist, discusses his connection to the Futurist movement, and looks at his paintings, drawings, and sculpture.
Spaces of (Dis)location
Spaces of (Dis)location was a two–day interdisciplinary and international conference which took place on 24–25 May, 2012, at the University of Glasgow, UK, and was funded by the Graduate School of the University of Glasgow’s College of Arts. Over the two days of the conference, around 60 papers were delivered, and this volume aims to showcase some of the most engaging and innovative research which was presented. As national and cultural boundaries are blurred in our increasingly global society, the ideas of space and location – whether physical or metaphysical, real or imaginary – are evolving. This notion provided the stimulus for a conference that encouraged creativity and debate...
David Lamelas
Published by the University Art Museum, California State University, Long Beach in association with Getty Publications The renowned Argentine conceptual artist David Lamelas (born 1946) has an expansive oeuvre of sensory, restive, and evocative work. This book, published to coincide with the first monographic exhibition of the artist’s work in the United States, offers an incisive look into Lamelas’s art. The guiding analytic theme is the artist’s adaptability to place and circumstance, which invariably influences his creative production. Lamelas left Argentina in the mid-1960s to study at Saint Martin’s in London. Since then, he has divided his time among various cities. While the typical narrative invoked about artists like Lamelas is one of “internationalism,” his nomadic movement from one place or conceptual framework to the next has always been more “postnational” than “international.”
Bruce Nauman
"From the beginning I was trying to see if I could make art that did that. Art that was just there all at once. Like getting hit in the face with a baseball bat. Or better yet, like getting hit in the back of the neck. You never see it coming; it just knocks you down. I like that idea very much: the kind of intensity that doesn't give you any trace of whether you're going to like it or not."—Bruce Nauman "Bruce Nauman's art is about heightened awareness, awareness of spaces we usually don't notice (the one under the chair, out of which he made a sculpture) and sounds we don't listen for (the one in the coffin), awareness of emotions we suppress or dread... It's hard to feel indifferent to ...
The PCI Artists
This book examines the artistic policies of the Italian Communist Party (PCI) during the early post-war years (1944–1951), after the defeat of Fascism in Europe and the outbreak of the Cold War. It brings together theoretical debates on artists’ political engagement and an extensive critical apparatus, providing the reader with an historical framework for wider reflections on the relationship between art and politics. After 1944, the PCI became the biggest Communist organisation in the West, placing Italy in an ambiguous position regarding the other European countries. Nevertheless, the immediate strategy of the Communists was not revolution, but liberation from Fascism and the establish...
Fodor's Essential Italy 2018
Written by locals, Fodor's travel guides have been offering expert advice for all tastes and budgets for more than 80 years. Fodor's Essential Italy is the indispensable take-along companion to one of Europe's most enduringly popular destinations. With inviting full-color photos, this updated edition highlights everything that visitors adore--from Italy's great food and wine to art and architecture, as well as glorious Tuscan hill towns, shopping, and much more. This travel guide includes: Hundreds of hotel and restaurant recommendations, with Fodor's Choice designating our top picks Multiple itineraries to explore the top attractions and what's off the beaten path In-depth breakout features on the Sistine Chapel Ceiling, Naples-style Pizza, Tuscan Wine, the Cinque Terre, the Duomo, and Venice's Grand Canal Coverage of Rome, Venice, Florence, Milan, Lake Como, Tuscany, Naples, Sorrento, Capri, Sicily, Emilia-Romagna, the Veneto, and more. Planning to focus on just some Italy destinations? Check out Fodor's travel guides to Rome; Venice; Florence & Tuscany; and The Amalfi Coast, Capri & Naples.
Italian Art in the 20th Century
Third volume to appear in conjunction with series of exhibitions of twentieth century art organised by the Royal Academy of Arts, London.
