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A Ship Without A Sail
Lorenz Hart, together with Richard Rodgers, created some of the most beautiful and witty songs ever written. Here is the story of the strikingly unromantic life of this songwriting genius. His lyrics spin with brilliance and sophistication, yet at their core is an unmistakable wistfulness. Rodgers and Hart, who wrote approximately thirty Broadway musicals and dozens of songs for Hollywood films, were an odd couple. Rodgers was precise, punctual, heterosexual, handsome, and eager to be accepted by society. Hart was barely five feet tall, alcoholic, homosexual, and more comfortable in a bar or restaurant than anywhere else. His lyrics are all the more remarkable considering that he never sustained a romantic relationship, living his entire life with his mother, who died only months before his own death at 48. Biographer Marmorstein superbly portrays the life of this exuberant yet troubled artist.--From publisher description.
All the Things You Are
The first complete biography of singing legend Tony Bennett Among America's greatest entertainers such as Frank Sinatra, Judy Garland, Ray Charles, and Sammy Davis Jr., Tony Bennett alone is still here and at the top of his game. For the first time, All the Things You Are tells the incredible story of Bennett's life and sixty-year career, from his impoverished New York City childhood through his first chart-topping hits, from liberating a concentration camp to his civil rights struggles, from his devastating personal and career battles and addiction in the 1970's to his stunning comeback and emergence as a musical statesman, America's troubadour, role model and mentor, and unmatched interpre...
CMJ New Music Monthly
CMJ New Music Monthly, the first consumer magazine to include a bound-in CD sampler, is the leading publication for the emerging music enthusiast. NMM is a monthly magazine with interviews, reviews, and special features. Each magazine comes with a CD of 15-24 songs by well-established bands, unsigned bands and everything in between. It is published by CMJ Network, Inc.
Hollywood Rhapsody
Hollywood Rhapsody is a history of American movie music, from the days of the silent movies to the maverick productions of the seventies. It tells the story of how talented, if sometimes invisible, musicians, composers, and lyricists have created some of the most memorable music of our time. The stirring, slashing music from Psycho; the sweeping score for Gone with the Wind; the swooning notes of "As Time Goes By" from Casablanca - these and so many more are imprinted on our cultural memory. Gary Marmorstein delves into various genres of motion pictures - from cowboy pictures to pioneering animation and rock 'n' roll - to show how music has enhanced the movies. He also discusses the end of the classic era of film scoring and its impact on American music. Hollywood Rhapsody combines history and biography for an entertaining trip through the world of movie music.
The Label
From Frank Sinatra and Billie Holiday to Janice Joplin and Michael Jackson, Columbia Records has discovered and nurtured a mind-boggling spectrum of talents and temperaments over the past 100-plus years. Now, with unprecedented access to the company's archives, this book tells the stories behind the groundbreaking music. More often than not, the music was not just created by the artists themselves but forged out of conflict with the men and women who handled them--executives, producers, Artists and Repertoire men, arrangers, recording engineers, and, yes, even publicists. And at almost every narrative crossroads is an undercurrent of racial tension--a tension that not only influenced twentieth-century music, but also mirrored and at times prompted major changes in American culture.--Résumé de l'éditeur.
She Can Bring Us Home
Long before it became the slogan of the presidential campaign for Barack Obama, Dorothy Ferebee (1898–1980) lived by the motto “Yes, we can.” An African American obstetrician and civil rights activist from Washington DC, she was descended from lawyers, journalists, politicians, and a judge. At a time when African Americans faced Jim Crow segregation, desperate poverty, and lynch mobs, she advised presidents on civil rights and assisted foreign governments on public health issues. Though articulate, visionary, talented, and skillful at managing her publicity, she was also tragically flawed. Ferebee was president of the Alpha Kappa Alpha black service sorority and later became the presid...
Preaching on Wax
The overlooked African American religious history of the phonograph industry Winner of the 2015 Frank S. and Elizabeth D. Brewer Prize for outstanding scholarship in church history by a first-time author presented by the American Society of Church History Certificate of Merit, 2015 Award for Excellence in Historical Recorded Sound Research presented by the Association for Recorded Sound Collections From 1925 to 1941, approximately one hundred African American clergymen teamed up with leading record labels such as Columbia, Paramount, Victor-RCA to record and sell their sermons on wax. While white clerics of the era, such as Aimee Semple McPherson and Charles Fuller, became religious entrepre...
Rodgers and Hammerstein's Carousel
Carousel (1945) was Rodgers and Hammerstein's second collaboration following their hugely successful Oklahoma! (1943). Based on Ferenc Molnár's play, Liliom (1909), it took Broadway musical theater in far darker directions given its subject and extensive music. Here we discover how it came about, and what it was trying to achieve.
Reeling with Laughter
Film comedy has been around as long as cinema itself. Over the years, particular forms of the genre have emerged, evolved, and spawned other branches of comedy. While these subgenres may vary in their approach to humor, all of them have the same goal: amusing audiences. In Reeling with Laughter: American Film Comedies—From Anarchy to Mockumentary, Michael V. Tueth examines some of the most enjoyable comic movies of all time. Beginning with the anarchic romp Duck Soup (1933), each chapter explores a specific subgenre through a representative film. Along with the Marx Brothers’ classic, other subgenres discussed in this volume include romantic comedy (It Happened One Night), screwball come...
Irving Berlin
From the prizewinning Jewish Lives series, a fast†‘moving, musically astute portrait of arguably the greatest composer of American popular music Irving Berlin (1888–1989) has been called—by George Gershwin, among others—the greatest songwriter of the golden age of the American popular song. “Berlin has no place in American music,” legendary composer Jerome Kern wrote; “he is American music.” In a career that spanned an astonishing nine decades, Berlin wrote some fifteen hundred tunes, including “Alexander’s Ragtime Band,” “God Bless America,” and “White Christmas.” From ragtime to the rock era, Berlin’s work has endured in the very fiber of American national...
