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American Indian Literature
A collection of Native American literature features myths, tales, songs, memoirs, oratory, poetry, and fiction from the present as well as the past
The Road Where the People Cried
A collection of poems, primarily persona poems of historical Cherokee people, about The Trail of Tears by Native American scholar and poet Geary Hobson. Cover art by Cherokee painter Janet Lamon Smith.
Plain of Jars
In the opening story of Geary Hobson’s riveting new collection, Plain of Jars, a young private confides to his friend that he’s trying to leave the Marine Corps. “I am not doing this just because I find the Marine Corps too tough,” Warren Needham says, but because violence is contradictory to his faith. The story’s surprising climax, however, reveals a different side of Needham’s contradictory nature. It’s this acute understanding of conflict that characterizes Plain of Jars, a book populated by bullies, men in combat, abusive spouses, and Native Americans seeking a sense of personal identity in an environment where conformity is law. The U.S. Marine Corps sets the stage for a number of these stories, whose protagonists combat racism, post-traumatic stress syndrome, and the looming reality of the Vietnam War. With pitch perfect dialogue and a sense of the unexpected, Plain of Jars tests the depths of complex lives.
Bury My Heart at Chuck E. Cheese's
Why is there no Native woman David Sedaris? Or Native Anne Lamott? Humor categories in publishing are packed with books by funny women and humorous sociocultural-political commentary--but no Native women. There are presumably more important concerns in Indian Country. More important than humor? Among the Diné/Navajo, a ceremony is held in honor of a baby's first laugh. While the context is different, it nonetheless reminds us that laughter is precious, even sacred. Bury My Heart at Chuck E. Cheese's is a powerful and compelling collection of Tiffany Midge's musings on life, politics, and identity as a Native woman in America. Artfully blending sly humor, social commentary, and meditations o...
Going Native Or Going Naive?
Going Native or Going Naïve? is a critical analysis of an esoteric-Indian movement, called white shamanism. This movement, originating from the 1980's New Age boom, redefines the phenomenon of playing Indian. For white shamans and their followers, Indianness turns into a signifier for cultural cloning. By generating a neo-primitivistic bias, white shamanism utilizes esoteric reconceptualizations of ethnicity and identity. In Going Native or Going Naïve?, a retrospective view on psychohistorical and sociopolitical implications of Indianness and (ig)noble savage metaphors should clarify the prefix neo within postmodern adaptations of primitivism. The appropriation of an Indian simulacrum by white shamans as well as white shamanic disciplines connotes a subtle, yet hazardous form of ethnocentrism. Transcending mere market trends and profit margins, white shamanism epitomizes synthetic/cybernetic acculturations. Through investigating the white shamanic matrix, Going Native or Going Naïve? is intended to make these synthesizing processes more transparent.
The Last of the Ofos
Thomas Darko is a Mohican for the twentieth century, the last surviving member of the tiny Mosopelea Tribe of the Mississippi Delta, called Ofos by outsiders. Never numbering more than a few hundred people in recorded history, his kinsmen have died away until Thomas comes to think of himself as "a nation of one." Now an old man in the waning years of the century, Thomas tells the story of his rough-and-tumble life--one which saw many of the changes that Indian people have faced in modern America--and he emerges as one of the most endearing characters in contemporary Native American literature. In this subtle but inventive novel, presented as Thomas's memoirs, Geary Hobson offers us a glimpse...
The People Who Stayed
The two-hundred-year-old myth of the “vanishing” American Indian still holds some credence in the American Southeast, the region from which tens of thousands of Indians were relocated after passage of the Indian Removal Act in 1830. Yet, as the editors of this volume amply demonstrate, a significant Indian population remained behind after those massive relocations. The first anthology to focus on the literary work of Native Americans who trace their ancestry to “people who stayed” in southeastern states after 1830, this volume represents every state and every genre, including short stories, excerpts from novels, poetry, essays, plays, and even Web postings. Although most works are co...
Reconstructing the Native South
In Reconstructing the Native South, Melanie Benson Taylor examines the diverse body of Native American literature in the contemporary U.S. South--literature written by the descendants of tribes who evaded Removal and have maintained ties with their southeastern homelands. In so doing Taylor advances a provocative, even counterintuitive claim: that the U.S. South and its Native American survivors have far more in common than mere geographical proximity. Both cultures have long been haunted by separate histories of loss and nostalgia, Taylor contends, and the moments when those experiences converge in explicit and startling ways have yet to be investigated by scholars. These convergences often...
Real Indians
At the dawn of the twenty-first century, America finds itself on the brink of a new racial consciousness. The old, unquestioned confidence with which individuals can be classified (as embodied, for instance, in previous U.S. census categories) has been eroded. In its place are shifting paradigms and new norms for racial identity. Eva Marie Garroutte examines the changing processes of racial identification and their implications by looking specifically at the case of American Indians.
Gary Snyder and the Pacific Rim
In Gary Snyder and the Pacific Rim, Timothy Gray draws upon previously unpublished journals and letters as well as his own close readings of Gary Snyder's well-crafted poetry and prose to track the early career of a maverick intellectual whose writings powered the San Francisco Renaissance of the 1950s and 1960s. Exploring various aspects of cultural geography, Gray asserts that this west coast literary community seized upon the idea of a Pacific Rim regional structure in part to recognize their Orientalist desires and in part to consolidate their opposition to America's cold war ideology, which tended to divide East from West. The geographical consciousness of Snyder's writing was particula...
