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The study of children's illustrated books is located within the broad histories of print culture, publishing, the book trade, and concepts of childhood. An interdisciplinary history, Picturing Canada provides a critical understanding of the changing geographical, historical, and cultural aspects of Canadian identity, as seen through the lens of children's publishing over two centuries. Gail Edwards and Judith Saltman illuminate the connection between children's publishing and Canadian nationalism, analyse the gendered history of children's librarianship, identify changes and continuities in narrative themes and artistic styles, and explore recent changes in the creation and consumption of children's illustrated books. Over 130 interviews with Canadian authors, illustrators, editors, librarians, booksellers, critics, and other contributors to Canadian children's book publishing, document the experiences of those who worked in the industry. An important and wholly original work, Picturing Canada is fundamental to our understanding of publishing history and the history of childhood itself in Canada.
The jazz pianist discusses his life and career, from his birth in Texas, to his rise to international fame and his involvement in politics and business.
Scripting Pentecost explores and develops an analysis of worship and liturgy in Pentecostal and Charismatic traditions. Organized into three main sections, history, theology, and contemporary practice, the first section quarries the historical trajectories of classic Pentecostalism, the Charismatic movement, Third-Wave, and Oneness Pentecostalism. Particular attention is given to the liturgical approaches of some of the earliest leaders, including William J. Seymour, Alexander Boddy, and Aimee Semple McPherson. The second section, constructive theology, offers theological approaches to liturgical studies from Pentecostal and Charismatic perspectives. In this section the Pentecostal and Charismatic tradition is advanced and extended by an interaction with ecumenical sources. The third section, case studies in contemporary worship theology and practice, examines the actual performance of liturgy through selected global case studies chosen to reflect a diversity of ecclesial practice in Africa, Asia, Europe, North America, Latin America and Oceania.
The impact and content of English as a subject on the curriculum is once more the subject of lively debate. Questions of English sets out to map the development of English as a subject and how it has come to encompass the diversity of ideas that currently characterise it. Drawing on a combination of historical analysis and recent research findings Robin Peel, Annette Patterson and Jeanne Gerlach bring together and compare important new insights on curriculum development and teaching practice from England, Australia and the United States. They also discuss the development of teacher training, highlighting the variety of ways in which teachers build their own beliefs and knowledge about English.
"Floyd Levin's half-century collection of reportage, reviews and recollections are an irreplaceable and totally enjoyable trove of writing about the vibrancy, past and still-present, of traditional American jazz."—Charles Champlin, author of Back There Where the Past Was "I've known Floyd and his wife Lucille for more than fifty years. Floyd's book is a colorful, intimate account of his lifelong love affair with jazz. I'm especially fascinated when he writes about his personal encounters with some of the jazz legends of the Century. This book is essential reading for anyone concerned about jazz - its present, its past, and his evolution."—Milt Hinton "Floyd Levin's dedicated and unselfis...
This book offers fresh, critical insights into Shakespeare in Hong Kong, Japan, and Taiwan. It recognises that Shakespeare in East Asian education is not confined to the classroom or lecture hall but occurs on diverse stages. It covers multiple aspects of education: policy, pedagogy, practice, and performance. Beyond researchers in these areas, this book is for those teaching and learning Shakespeare in the region, those teaching and learning English as an Additional Language anywhere in the world, and those making educational policies, resources, or theatre productions with young people in East Asia.
Neil Gaiman has emerged as one of the most influential literary figures of the 21st century. To borrow a phrase from his viral 2012 University of the Arts commencement speech, Gaiman "makes good art," from his graphic novels to his social media collaborations, award-winning fantasy fiction and beloved children's books. This collection of new essays examines a range of Gaiman's prolific output, with readings of the novels American Gods, Anansi Boys, The Graveyard Book and The Ocean at the End of the Lane. Children's books The Wolves in the Walls and Blueberry Girl and the online short story collection A Calendar of Tales are discussed. Gaiman's return to the serial comic book form with Sandman: Overture is covered, and artist JH Williams III contributes an exclusive interview about his collaboration with Gaiman on Overture. Cartoonist Judd Winick offers a personal essay on his connection to Gaiman's work.
A wide-ranging introduction to an exciting and rapidly expanding field.
Galilee is a Gospel music label started in 1978 and active until 1982, when all the key players were Christians (more or less). Now, three of the four believe in something else, leaving record producer, songwriter, lecturer in Rock, and Bible translator, Robert Wolfgramm as the only true believer. Such is their respect for Robert and the Gospel years that Sally Hilder, Genna Levitch and Lowell Tarling have re-joined Robert and re-formed Galilee. They have re-released all three Galilee records and written this book. Galilee songs go into unusual territory. All My Friends Are Sinners and Refugee are 'moody' albums. Not happy-clapping. More like the blue note resonating from the Psalms of David. After which comes Persecution Games - unusual territory indeed. Welcome to the crucifixion.