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The British Quarterly Review
  • Language: en
  • Pages: 634

The British Quarterly Review

  • Type: Book
  • -
  • Published: 1855
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  • Publisher: Unknown

None

The National Union Catalog, Pre-1956 Imprints
  • Language: en
  • Pages: 712

The National Union Catalog, Pre-1956 Imprints

  • Type: Book
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  • Published: 1968
  • -
  • Publisher: Unknown

None

A History of Philosophy
  • Language: en
  • Pages: 514

A History of Philosophy

  • Type: Book
  • -
  • Published: 1872
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  • Publisher: Unknown

None

A History of Philosophy: History of the ancient and mediaeval philosophy
  • Language: en
  • Pages: 516

A History of Philosophy: History of the ancient and mediaeval philosophy

  • Type: Book
  • -
  • Published: 1872
  • -
  • Publisher: Unknown

None

History of Philosophy
  • Language: en
  • Pages: 516

History of Philosophy

  • Type: Book
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  • Published: 1876
  • -
  • Publisher: Unknown

None

A history of philosophy, from Thales to the present time. Tr. by G.S. Morris, with additions by N. Porter
  • Language: en
  • Pages: 508
A History of Philosophy from Thales to the Present Time by Friedrich Ueberweg
  • Language: en
  • Pages: 508

A History of Philosophy from Thales to the Present Time by Friedrich Ueberweg

  • Type: Book
  • -
  • Published: 1872
  • -
  • Publisher: Unknown

None

First Proofs of the Universal Catalogue of Books on Art
  • Language: en
  • Pages: 1142
History of Philosophy
  • Language: en
  • Pages: 506

History of Philosophy

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

The Anticolonial Museum
  • Language: en
  • Pages: 183

The Anticolonial Museum

  • Categories: Art

The Anticolonial Museum acknowledges some of the consequences of colonialism in the current work of museums. Looking at museum theory in a critical way, it proposes a radical revision of museums’ rhetoric on decolonisation, as well as their public image and practices. Bringing together a collection of reflections on decolonisation through the observation of museum performance and discourse, the author considers current practices in response to the social claims of marginalised groups and activists. Drawing from a genealogy of decolonial thinking in museology, Brulon Soares identifies the inherent paradoxes reflected in museum work. The book’s focus is not exclusively on the reality of co...